Tag Archives: aliens

God Told Me To (1976)

A woman is levitated towards a spacecraft...
A woman is levitated towards a spacecraft…

Directed and written by Larry Cohen, starring Tony Lo Bianco, Deborah Raffin, Sandy Dennis, Sylvia Sidney, Sam Levene, Robert Drivas, Richard Lynch and David Morten.

Poster
Poster

Peter J. Nicholas (Lo Bianco), a devoutly religious police detective, deals with several cases of mass murder, including a New York sniper attack. He discovers that each perpetrator utters the same excuse to explain their killing sprees: “God told me to”.

the sniper
The sniper
Detective Peter J. Nicholas is a devout catholic
Detective Peter J. Nicholas is a devout catholic

Digging deeper, Nicholas eventually finds out that an androgynous, glowing, christ-like being, identified as Bernard Phillips (Lynch), has influenced all these murderers… and this dude is actually a product of alien artificial insemination! Nicholas realises that he, too, is one of these hybrid beings, though his human genes overpowered his alien genes just enough to enable him to pass for ‘normal’ for most of his life, but now it is time for him to confront Phillips…

Richard Lynch as the glowing, messiah-like product of alien insemination of human women
Richard Lynch as the glowing, messiah-like product of the alien insemination of a human female

Larry Cohen, as usual, throws lots of ideas into the pot. We have a horror-sci-fi-police-procedural plot encompassing mass killings, religious overtones, UFO abductions, psychic powers and throbbing alien vaginas! Cohen doesn’t quite pull it all off, unfortunately, and you’re left wondering what Phillips was hoping to achieve with his psychically-induced mass killings, what was the story behind the cabal of businessmen that believe Phillips is the new messiah, and whether the unseen, meddling aliens actually had an objective.

Chaos after a policeman starts shooting folks during New York's St. Patrick's Day Parade
Chaos after a policeman starts shooting folks during New York’s St. Patrick’s Day Parade

That said, there’s a lot of memorable moments here. There’s the horribly compelling scene where one of the killers, a family man (Morten), describes to Nicholas, in an easygoing manner, how he systematically murdered his own wife and children. Plus there’s the opening sequence, where members of the public are picked off by a gunman standing atop a water tower.

Cover for the Blue Underground Blu-ray release
Cover for the Blue Underground Blu-ray release

Cohen includes the alien abduction plot thread in an interesting fashion, never over-focusing on it, inserting these details as flashbacks and reminiscences. It’s here that we first get a glimpse of an unexpected close-up of a palpitating vagina (!), as a naked woman victim is levitated into a space vessel (actually footage of an Eagle spacecraft from the Gerry Anderson TV show SPACE: 1999). I remain utterly surprised that such up-close anatomical shots of a very vagina-like sex organ managed to make it into the movie!

Alien abduction flashback
Alien abduction flashback

Later, during the climactic showdown, Phillips pulls up his smock to reveal that he has a large alien vagina throbbing away on his torso! Phillips suggests that he and Nicholas should mate, to produce more progeny. Nicholas isn’t a fan of this idea, however, and decides to attack Phillips instead, leading to the glowing hybrid dude’s death and the destruction of a building.

This dude has got a torso-vagina
This dude has got a torso-vagina
Nicholas finally unleashes his own psychic powers
Nicholas finally unleashes his own psychic powers

GOD TOLD ME TO, also known as DEMON, is shot in Cohen’s typical style, meaning that it’s not overly well-lit or particularly glossy, it seems very choppy, editing-wise, but it is filmed with a no-nonsense verve and immediacy, with a lot of handheld location footage, that keeps the story’s momentum from flagging too much, even in the slower third act, which discards the mass killings plot line to concentrate on Nicholas’ unearthing of his own forgotten past. Cohen, as usual, gets his lead actor to deliver a compelling performance, in this case Tony Lo Bianco, who is a driven, earnest presence throughout the film.

UK VHS sleeve
UK VHS sleeve
Another shot from the alien abduction flashback
Another shot from the alien abduction flashback

Some posters for the movie…

US poster
US poster
French poster
French poster
Also known as DEMON
Also known as DEMON
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The Terrornauts (1967)

Could any film actually live up to the exploitative promise of this lurid poster artwork?

Three staff members of Project Star Talk (Simon Oates, Stanley Meadows & Zena Marshall) are working at a radio telescope site when they are taken to an asteroid fortress by a space ship. Also carried along for the ride is an accountant (Charles Hawtrey) and a tea lady (Patricia Hayes). The group meet a robot and must pass some tests before using the fortress’ missiles to save the Earth from an armada of alien vessels.

The asteroid fortress
The asteroid fortress
Here's the robot
Here’s the robot
Carry On movie regular Charles Hawtrey plays accountant Joshua Yellowlees 
Carry On movie regular Charles Hawtrey plays accountant Joshua Yellowlees 
Nom, nom, nom...
Nom, nom, nom…

THE TERRORNAUTS is a British science fiction film made by Amicus Productions, based on Murray Leinster’s 1960 novel The Wailing Asteroid. The screenplay was written by sci-fi author John Brunner and the film was directed by Montgomery (BATTLE BENEATH THE EARTH) Tully.

Poster
US poster
You break it, you buy it, mate
You break it, you buy it, mate

There’s no escaping the fact that THE TERRORNAUTS was definitely done on the cheap… and I do mean very cheap!

Ah, look at those super-realistic planets!
Ah, look at those super-realistic planets!
Hi-tech robot!
Hi-tech robot!

The film resembles a brightly-coloured, low budget Doctor Who episode. But if you look beyond the threadbare production values, you’ll find that THE TERRORNAUTS does have an interesting premise: a long-gone alien race has left its tech behind so that mankind can defend itself from an interstellar foe.

Another shot of the robot
Another shot of the robot

I do also like the alien critter, revealed as a hologram. If you can imagine an unrealistic man-in-suit creature costume designed by a surrealist… that is what the alien looks like!

The alien's 'face'
The surreal alien’s ‘face’
Sandy (Zena Marshall) and the alien
Sandy (Zena Marshall) and the alien
The alien's eye, which is on its torso
The alien’s eye, which is on its torso

The lurid poster (claiming we’ll be seeing ‘The virgin sacrifice to the gods of a ghastly galaxy!’) highlights a moment in the movie where the heroine is accidentally teleported to a planet and is nearly sacrificed by a bunch of green-skinned savages.
This in-your-face poster artwork promises, of course, far more than the film could ever hope to deliver.

Yikes! This is the poster's depiction of the sacrifice scene...
Yikes! This is the poster’s depiction of the sacrifice scene…
...and this is what the attempted sacrifice actually looks like in the film!
…and this is what the sacrifice scene actually looks like in the film!
Don't worry: Sandy gets saved
Don’t worry: Sandy gets saved

Here’s the pre-production concept artwork for the hologram alien, by designer Bill Constable, showing that the strange being was always intended to have an eye positioned at an odd place on its body.

This concept for the alien creature makes it resemble a surreal tree stump
This concept for the alien creature makes it resemble a surreal tree stump

And here’s another couple of shots of the alien as seen in the film, with its eye located on its waist…

Not the most realistic alien costume ever produced!
Not the most realistic alien costume ever produced!
Who are you lookin' at?
Who are you lookin’ at?

Some lobby cards…

Lobby card
Lobby card
Mexican lobby card
Mexican lobby card

Finally, here’s the UK DVD cover…

UK DVD cover
UK DVD cover

A Quiet Place (2018)

An alien reacts to the hearing aid...
Who you calling ugly?

A family has learnt to survive in a post-invasion world where alien creatures attack anyone who makes a noise. After the loss of one of their children, the husband and wife await the arrival of their new baby, but giving birth in a place where you need to keep really quiet isn’t going to be easy.

poster
Poster

As the sequel is currently out in cinemas I thought I’d relook at the 2018 horror-science fiction original…

The premise for A QUIET PLACE is what made this movie stand out when it was released: imagine having to ALWAYS be silent because super-aggressive alien creatures will launch an attack on you almost immediately?

The toothy alien...
Toothy…

It is, however, a concept that you can pick apart if you think about it too much. Surely scientists, somewhere, could’ve come up with the sound/feedback solution that deaf daughter Regan (Millicent Simmonds) stumbles upon when her juiced-up cochlear implant starts repelling aliens that get too close to her?
When the father (John Krasinski) takes his son Marcus (Noah Jupe) for a trek to a loud river and noisy waterfall, he informs Marcus that they can actually speak freely here because the noisy surroundings drown out their voices, so the creatures can’t track them: this, of course, immediately got me wondering why the family didn’t set up camp in this area?
Also, if they can improvise a soundproofed basement, as they do later in the story, why don’t they hang out here more often, where they can even have whispered conversations?

Chatting by the waterfall
Chatting by the waterfall

But if you don’t overthink the overall concept, there’s a lot to enjoy with this film.
Krasinski directs the film effectively, building up the tension as the story progresses, with gripping moments including the scene where mom Evelyn (Emily Blunt) stands on a nail with her bare foot and has to keep quiet as an alien critter roams the building. The pressure intensifies for Evelyn when she finds herself having to give birth alone in a bath, knowing that the nearby creature will strike out at her if it hears anything.

Not the best time to have a baby...
Not the best time to have a baby…

The final act ratchets up the stress-levels further, as Regan and Marcus are menaced by one of the monsters whilst ALSO trying not to drown in a grain silo and Evelyn has to dodge creatures and get herself and her newborn baby out of the basement that is now filling with water.
And things only get more critical for everyone as the survivors of the family have a final showdown with one of the critters in their home.

Sinking in the grain
That sinking feeling…
Showdown in the family home
Showdown

The alien creatures are an interesting addition to the world of cinematic monsters: they are slim, armour-skinned critters with extended forelimbs and eyeless faces. The armour-like casing surrounding their heads can hinge open like multiple flaps, presumably to help them properly locate the source of any sound they hear (they kinda resemble the Demogorgon from STRANGER THINGS when they do this), and their ears are massive organs (almost resembling a slimy, open oyster) that we see several times in close-up.

One of the creature's ears seen in close-up
One of the creature’s ears seen in close-up
An angry, upset alien beastie
Another view of an alien ear!
Another view of an alien ear!

With very little dialogue, A QUIET PLACE works well thanks to Krasinski’s visual storytelling and confident grip of the plotting and character development.

Gripping stuff...
Gripping stuff…
An angry alien

Snow in the Desert (2021)

Alien bounty hunter
A bounty hunter moves in…

In the Love, Death + Robots season 2 episode SNOW IN THE DESERT, an albino wanderer known as Snow lives on a hot, barren planet and must deal with various bounty hunters who want to kill him so that they can attain a certain part of his anatomy…

His name is Snow
His name is Snow and he lives in the desert

Snow, it transpires, has lived hundreds of years: this is due to the fact that he can endlessly regenerate his cells and body parts, thanks to special hormones released in his testicles. This pretty much makes him immortal – and it also means there are people who want to get rich by acquiring his balls to access a never-ending supply of Snow’s unique genetic material. This is why there are always bounty hunters on his case, but now a young woman called Hirald, who works for an advanced AI within Earth’s government, enters Snow’s life…

Hirald has a secret
What is Hirald’s secret?

Based on a short story by Neal Asher and, like a lot of his work, set in a future history known as the ‘Polity’ universe, this Netflix animated short features super-realistic mo-cap characters and impressive vistas, created by 3-D animation studio Unit Image.

Alien sun
This planet is hot
Bounty hunters
These bounty hunters have a cool ‘skinned alive’ look!
Saggy-skinned alien dude

The action is very brutal and there’s some cool world-building, with the inclusion of various alien races, including a rock-skinned bounty hunter, and some local vulture-like creatures. There’s a nice touch concerning these flying creatures, when we see them cover themselves completely with their leathery wings to endure the desert planet’s hot midday sun.

These reptile-vulture creatures know that the sun is about to rise...
These reptile-vulture creatures know that the sun is about to rise…
The creatures hide from the sun
…so they wrap themselves up in their leathery bat-wings!

On the whole, the short comes across as a taster for what to expect in the Polity universe, but there are some twists and turns in the brief story, as we discover Snow’s abilities and are finally shown Hirald’s true self – and, of course, you get 18 minutes of sci-fi eye candy.

More bounty hunters arrive

Here are some (spoiler-ific) shots from the story’s finale…

A rock-fleshed bad guy!
Brutal sci-fi action!
Hand through the villain’s chest!
Ah! Hirald is part machine!
Romance!
Sunrise on a happier future for Snow?
poster