A Wicked Ghost (1999)

I think some hair is blocking the toilet...
I think some hair is blocking the toilet…

A group of friends, with names like Big Bee, Rubbish and Biggie, perform a ritual to enable them to see ghosts. This is meant to be a fun game to pass the time, though it does involve drinking from a bowl of water mixed with fresh blood and using a tealight to burn ‘oil’ taken from a dead person’s body!

Pale face, dark mouth...
Pale face, dark mouth…

Ming is the only member of the group to refuse to take part (saying that the blood might have AIDS), but his girlfriend Annie joins in the odd game, which does unleash a creepy female ghost, who starts to kill off the friends one by one.

If only the movie was as eventful as this artwork suggests!
If only the movie was as eventful as this artwork suggests!

Rubbish is the first to die and Ming’s reporter sister Cissy starts to look into the case, along with her fiancé Jack. Cissy’s ex-boyfriend Mr. Mo, a drama teacher, also takes an interest in what is going on and he’s the one who comes up with most of the theories, including the idea that the group is being haunted by the ghost of the person whose ‘oil’ had been burned in the ritual.

The blue-robed ghost closely follows a female character into a bar toilet
The blue-robed ghost closely follows a female character into a bar toilet

Characters continue to die, with one of them tricked into stepping off the top of a high building and Biggie compelled to strangle her own mother before committing suicide. Ming becomes more and more concerned that Annie will soon become a victim too, so he teams-up with Mr. Mo to break the curse and discover the origin of the ghost. Their research leads them to the deserted Yellow Hill Village and they eventually learn that the black-haired, vengeful ghost is the spirit of a murdered woman called Cho Yan Mei.

As well as the blue-robed ghost of Cho Yan Mei, the spectres of other dead people are seen...
As well as the blue-robed ghost of Cho Yan Mei, the spectres of other dead people are seen…

More deaths ensue, including an old man who gets bumped off when a long metal pole falls from a roof and skewers him to the ground via his gaping mouth, in an OMEN-style moment. Mr. Mo, meanwhile, realises that it isn’t the ‘oil’ that connects all these victims to the spirit, so the search for a way to halt the killings continues, but time is running out for Annie and a desperate Ming intensifies his efforts to find the resting place of Cho Yan Mei’s body.

Don't look up, old fella...
Don’t look up, old fella…
…or you’ll get transfixed by a scaffolding tube. Too late!

A WICKED GHOST is a pretty run-of-the-mill Hong Kong supernatural flick, directed in a competent fashion by Hung-Wah Leung. Leung also wrote the script and he does a better job here, supplying enough backstory to the curse and nuggets of new information to keep you watching.

DVD sleeve
DVD sleeve

One of these revelations involves Mr. Mo’s supposition that Cho Yan Mei’s murdered body is actually buried beneath a pond near Yellow Hill Village, which is linked to the local water supply somehow. Ming then realises that the angry ghost-force of Cho Yan Mei must have entered the various victims’ bodies “through the medium of water”.

Cho Yan Mei gets up close and personal
Cho Yan Mei gets up close and personal

Though Mr. Mo (Francis Ng) is the character who uncovers most of the facts, it is Ming (Gabriel Harrison) who is the film’s main character, but he proves to be such a frustratingly hesitant protagonist! In one sequence Annie, possessed by Cho Yan Mei, fills a bowl with prescription drugs and starts wolfing the tablets down like they’re sweets. Rather than physically trying to stop his girlfriend from munching all the pills, Ming just ineffectually looks on, asking her to wake up and stop eating the drugs. In a later scene the ever-hesitant Ming is in a position to actually stop the murders when he discovers a special bracelet that is capable of negating Cho Yan Mei’s powers… but he is so slow to take action, reaching out to Cho Yan Mei’s wrist in such a tentative manner, that she has time to evade the bracelet and attack him. It’s very frustrating!

Annie grabs a handful of pills
Annie grabs a handful of pills
 Don't just plead with your girlfriend to stop eating the pills, Ming, go and grab her!
Don’t just plead with your girlfriend to stop eating the pills, Ming, go and grab her!
Ming gets strangled by Cho Yan Mei because he's too damn slow trying to put the special bracelet on her wrist
Ming gets strangled by Cho Yan Mei because he’s too damn slow trying to put the special bracelet on her wrist

The inspiration for the look of the malevolent spook in A WICKED GHOST is Sadako from RING, which was released the previous year and triggered the production of a whole bunch of Hong Kong RING knock-offs. There’s an okay moment involving the ghost walking directly behind a female character in a bar, and there’s also a fun scene in a bathroom, where Jack sees Cho Yan Mei’s hair, and then her hand, poking from a toilet bowl.

Cho Yan Mei’s hand rises from the bowl!
Cho Yan Mei’s hand rises from the bowl!
Cho Yan Mei is obviously heavily inspired by the ghostly character Sadako, from the successful Japanese movie Ring (1998)
Cho Yan Mei is obviously heavily inspired by the ghostly character Sadako, from the successful Japanese movie Ring (1998)

Most of the ghost scenes in this low budget film are achieved using actors in pale makeup, with very few optical effects, though this is acceptable, as this kind of story works just fine with brief glimpses of long hair hiding a ghost’s face or quick shots of a dark figure passing by doorways. But Hung-Wah Leung fails to include enough supernatural encounters in his tale and the film ends up sadly lacking in decent scares and tension.

Cho Yan Mei crawls across the floor: there should have been more moments like this!
Cho Yan Mei crawls across the floor: there should have been more moments like this!
There should also have been more shots like this!
There should also have been more shots like this!

With a plot that’s burdened with several extraneous characters (Cissy & Jack) and direction that’s rather lacklustre, A WICKED GHOST is, ultimately, a Hong Kong paranormal flick that is watchable but also quite forgettable.


She's behind you...
She’s behind you…

The Monster That Challenged the World (1957)

Such a wonderfully-constructed 50s movie monster!
Such a wonderfully-constructed 50s movie monster!

An earthquake awakens long-dormant giant, prehistoric molluscs in a cave beneath the Salton Sea. These critters take a liking to feeding on humans, which they do by sucking out all the blood and water from their victims. Once the authorities realise what they are up against, they attempt to wipe out the creatures before any of them can migrate up the All-American Canal, spread through the Imperial Valley, and then threaten the world.

When drooling monsters attack!
When drooling monsters attack!

It is then theorised that some of the monsters may have found their way to one of many small lakes dotted between the Salton Sea and the canal… so our heroes must locate the precise lake in order to destroy them before the creatures can expand in numbers.

US 1 sheet poster
US 1 sheet poster

THE MONSTER THAT CHALLENGED THE WORLD is efficiently directed by Arnold Laven (who usually directed for TV) and was written by Pat (THE FLAME BARRIER) Fielder, based on a story by David (THE TIME MACHINE) Duncan.

 Pat Fielder started out as a production assistant, before becoming a writer of such films as The Fantastic Disappearing Man (1958) and The Vampire (1957). She went on to mainly write for TV series.
The husk-like corpse of a murdered parachutist
The husk-like corpse of a dead parachutist

This is a solid entry in the 50s B movie sci-fi creature feature genre, showcasing one of the better film monsters of the period. These mollusc-things have a long, centipede-like upper body, which emerges from a huge snail shell.

In this well-handled encounter the hero manages to poke out one of the monster's eyes
In this well-handled encounter the hero manages to poke out one of the monster’s eyes!

The plot is decent enough, but there really should have been more scenes featuring the monster on-screen, because this critter is a beauty!

Slime-smothered brute!
Slime-smothered brute!
A lock keeper is attacked from behind by the sneaky critter!
A canal lock keeper is attacked from behind by the sneaky critter!

Tim Holt, who was really good in THE TREASURE OF SIERRA MADRE, is unfortunately charisma-free here as the no-nonsense Lt. Cmdr. John ‘Twill’ Twillinger, Audrey Dalton is adequate as love interest Gail MacKenzie, Hans Conried, known for his voice work in cartoons, does better work as Dr. Jess Rogers, though the standout performance for me comes from Milton Parsons, who plays a dour, morbid shop owner in a couple of scenes.

Milton Parsons plays glum Mr Dobbs
Milton Parsons plays glum Mr Dobbs

The briefly-seen, withered, husk-like faces of several victims stick in the mind and provide relatively grisly imagery for a film of this period. The best moment involving one of these sucked-out faces comes when two Navy divers are attacked by an awakened monster mollusc, which grabs one of them to suck out his juices… and we get to see his emaciated face staring through his diving mask.

It's sucked out his juices!
It’s sucked out all of his juices!

The satisfying finale has Holt taking on a final monster, which has hatched from an egg kept in a vat in the military base’s lab. Making the most of the full-size creature model, the filmmakers get it to smash a door, knock over equipment and ram its head through the lab ceiling. The stoic hero fights the beast with a fire extinguisher and a broken steam pipe, but I’m sure every viewer who has ever watched this confrontation has yelled at the screen, telling him to grab the big fire axe that is teasingly in view for most of this sequence! Armed Navy personnel finally arrive, however, blast the monster with their rifles, and the fine-lookin’ mollusc monster crashes to the floor.

Don't use the extinguisher, use the fire axe, mate!
Don’t use the extinguisher, mate, use the fire axe!
Little Sandy MacKenzie turned up the heat in the lab so that the caged rabbits wouldn't be cold... and this causes the monster to hatch! So she's to blame for all the rabbits being eaten!
Little Sandy MacKenzie (Mimi Gibson) turned up the heat in the lab so that the caged rabbits wouldn’t be cold… and this causes the monster to hatch! So she’s to blame for all the rabbits being eaten!
The monster smashes through a door to menace Audrey Dalton and Mimi Gibson
The monster smashes through a door to menace mother and daughter
Dr. Jess Rogers looks on as armed personnel prepare to blast the beast
Dr. Jess Rogers looks on as armed personnel prepare to blast the beast

Here’s a bit more information about the creation of the creature:

Augie Lohman, who had worked previously on films like MOBY DICK (1956), LOST CONTINENT (1951) and THE MAZE (1953), was responsible for the mechanical mock-up of the monster, which could move both laterally and vertically through the use of hydraulic and electric machinery. The monstrous model took three-to-five men to work the rheostats and other controls that moved the monster either up or down, frontwards or backwards, or provided it with a rolling forward movement.

The monster under construction
The monster under construction

Some publicity shots…

The monster and the bathing beauty!
The monster and the bathing beauty!
Mimi Gibson, who played Sandy MacKenzie, rests in the creature's clutches
Mimi Gibson, who played Sandy MacKenzie, rests in the creature’s clutches
Another shot of Mimi Gibson and the full-scale beast
Another shot of Mimi Gibson and the full-scale beast

Here are some monster-tastic posters…

Belgian poster
Belgian poster
Italian poster
Italian poster
Poster from Argentina
Poster from Argentina
US half sheet poster
US half sheet poster
US double feature poster
US insert poster
US insert poster

Here’s the box art for a super 8 home movie reel…

Super 8 box art
Super 8 box art

Okay, one more look at the stupendous creature…

I love this beastie!
I love this beastie!

I lied! Here’s yet another look at the monster mollusc…

Look at its yucky mouthparts!
Look at its yucky mouthparts!

Kingdom of the Spiders (1977)

A tarantula bites Shatner's face!
A tarantula bites Shatner’s face!

A veterinarian (William Shatner) and an entomologist (Tiffany Bolling) try to deal with swarms of extra-poisonous tarantulas that grow in number and threaten everyone living around Camp Verde in Arizona.

Poster
US poster

This is an enjoyable example of the eco-horror genre that flourished in the 70s/early 80s. The B movie story builds its threat level gradually, with the spider attacks focused initially on animals, then individual people, and finally the whole local community.

The tarantulas kill a bull
The tarantulas kill a bull
Bugs on the bed!
Bugs on the bed!

Shatner plays the hero, Dr. Robert ‘Rack’ Hansen, as an easy-going dude who’s maybe a bit too pushy with women he fancies (the entomologist and even his widowed sister-in-law!), and he is game enough to allow himself to be covered in real tarantulas at one point. His character is initially skeptical that spiders could be responsible for the deaths of local livestock, but he eventually accepts entomologist Diane Ashley’s hypothesis that the tarantulas have changed their habits due to the loss of their usual food supply (thanks to pesticide use). The spiders have now stopped being lone hunters and are forming swarms, attacking larger prey, including humans, using their venom to overpower their victims.

Shatner is swamped in spiders!
Shatner is swamped by spiders!
Hansen finds the body of his sister-in-law
Hansen finds the body of his sister-in-law
Shatner in trouble!
Shatner in trouble!

Director John ‘Bud’ Cardos handles the B movie action well, delivering several memorable sequences, including a tarantula attack on a farmer (Woody Strode) in his truck and another spider assault on a pilot (who squeals like a young girl!) that causes him to crash his crop duster plane. In one scene a scared woman uses a handgun to shoot a spider that is crawling on her hand… and she blows her own finger off!

Trying to remove a tarantula from your hand with a gun is not a good idea...
Trying to remove a tarantula from your hand with a gun is not a good idea…
The duster plane pilot has the world's highest-pitched scream!
The duster plane pilot has the world’s highest-pitched scream!
All webbed-up
All webbed-up
Woody Strode's cocooned body is discovered in his crashed truck
Woody Strode’s cocooned body is discovered in his crashed truck

Cardos also delivers a pretty cool sequence later in the film, where we witness the spiders attacking the townsfolk, with loads of screaming citizens desperately trying to get into the sheriff’s car, only for the lawman to end up being crushed beneath a falling water tower.

Crunch!
Crunch!

KINGDOM OF THE SPIDERS reaches a finale similar to THE BIRDS (1963), focusing on a small group of people under siege from the killer creatures in a boarded-up building. The ending (also like the Hitchcock movie) is quite abrupt and leaves the characters’ ultimate fate uncertain, as Hansen discovers that the entire area is now covered in spider webbing.

A decent animal-attack flick, KINGDOM OF THE SPIDERS uses its rural locations well and peppers its running time with cool shots of ‘spider hills’, tarantulas dropping out of air vents and victims cocooned in white spider webs.

Cocooned!
Cocooned!
They're crawlin' everywhere!
They’re crawlin’ everywhere!

Some posters for the movie…

French poster
French poster
Thai poster
Thai poster
US poster
US poster
Australian daybill poster
Australian daybill poster
UK quad poster: a double bill with The Redeemer
UK quad poster: a double bill with The Redeemer

Here’s a Mexican lobby card…

Mexican lobby card
Mexican lobby card

A VHS sleeve from the UK…

'A wild science fiction nightmare'
‘A wild science fiction nightmare’

Finally, here’s the paperback novelisation of the Shat-tastic film…

Written by Bernard J Hurwood
Written by Bernard J Hurwood

Curse of the Faceless Man (1958)

He's got no face!
He’s got no face!

In modern day Pompeii a worker uncovers an ancient jewel box and a body coated in calcified layers of volcanic ash. Dr Carlo Fiorello (Luis Van Rooten), the director of the Napoli Museum, calls in Dr Paul Mallon to help him study the body of this Faceless Man, and it is discovered that there is still a flesh and blood human corpse preserved beneath the outer calcified layer. (The famous Pompeii ‘stone bodies’ are actually plaster casts made by pouring plaster into cavities left by decomposing victims of the catastrophe that happened in 79 A.D.)

The Faceless Man is unearthed!
The Faceless Man is unearthed!
Lobby card
Lobby card

Fiorillo says that he isn’t certain that the Faceless Man is truly dead, but Mallon rejects this suggestion: he’s sure there must be another explanation for the murders that start happening in the vicinity of the crust-coated corpse.

Beware the Faceless Man!
Beware the Faceless Man!

Further research reveals that, back in Roman times, the Faceless Man was a gladiator called Quintillus, who was in love with the daughter of a Roman senator.

The Faceless Man, who intermittently comes back to life, kills off several people and takes a liking to Mallon’s artist fiancée Tina (Elaine Edwards)… who turns out to be the reincarnation of the Roman senator’s daughter. Who’d have guessed that?!

Tina sits in the museum... unaware that the Faceless Man will soon reanimate!
Tina sits in the museum… unaware that the Faceless Man will soon reanimate!

CURSE OF THE FACELESS MAN is most effective when it shows the calcified living corpse in action, killing victims when there are not many other people around.
(After murdering folks, the Faceless Man always falls to the floor and resumes its inanimate state, which kind of reminded me of the way the ‘living’ toys in TOY STORY always fall down and act ‘dead’ whenever people enter the room!)

Publicity shot
Publicity shot

The Faceless Man costume (created by Charles Gemora) is simple but effective, with the ‘facelessness’ of the bumpy head imbuing the creation with an extra creepiness. The creature is basically a novel variation on the mummy – and the plot does eventually link Ancient Egyptian practices with the Faceless Man, when the protagonists hypothesise that Quintillus was probably in an Egyptian temple within Pompeii when Vesuvius erupted, and he got splashed in embalming fluids before he was covered in ash.

A simple-yet-effective movie monster!
A simple-yet-effective movie monster!

The Faceless Man’s origin is rather too convoluted, as we are informed that not only was Quintillus accidentally doused in sacred Egyptian chemicals, the intense heat of the volcanic eruption also had some extra special effect on these chemicals and there was radioactivity in the ash that helped preserve him! The Faceless Man’s backstory is made more complex with the inclusion of an Etruscan curse and the aforementioned reincarnation plot line!

It's getting up!
It’s getting up!

CURSE OF THE FACELESS MAN was directed by Edward L. Cahn, written by Jerome Bixby, produced by Robert E. Kent, had a seven-day shooting schedule and was made on a low budget. Many of my favourite 50s B movies are cheapies, though, so the lack of budget doesn’t overly bother me, but it is disappointing that Richard Anderson, later to find fame as Oscar Goldman in THE SIX MILLION DOLLAR MAN, is really rather dull & wooden as the overly skeptical lead character Paul Mallon. The needless voice-over could also have been removed to make this a better movie.

Richard Anderson is unfortunately less animated than the calcified Faceless Man
Richard Anderson is unfortunately less animated than the calcified Faceless Man

Putting those gripes aside, the fact is I watched this horror picture mainly to see the Faceless Man, and I have to say that I was quite impressed with this crusty creature. It even has a rather interesting demise, when it strides into the sea at the Cove of the Blind Fisherman and simply begins to dissolve in the seawater.

The Faceless Man carries off the girl. Well, of course he does!
The Faceless Man carries off the heroine. Well, of course he does!

The film is cheap, enjoyable and boasts a relatively unique monster. So, yes, I liked it!

The crusty creature prowls the Italian streets!
The crusty creature prowls the Italian streets!

Here are some posters for the film…

US 1 sheet
US 1 sheet poster
US insert poster
US insert poster
US half sheet poster
US half sheet poster
The film was released in the U.S. by United Artists as a double feature with It! The Terror from Beyond Space, a film also directed by Edward L. Cahn
The film was released in the US by United Artists as a double feature with It! The Terror from Beyond Space, a film made by the same director, writer and producer

Some lobby cards…

Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Mexican lobby card
Mexican lobby card

Finally, a DVD cover…

DVD cover

Dagon (2001)

She's got tentacles for legs!
She’s got tentacles for legs!

Paul (Ezra Godden) is sailing around the Spanish coast when a storm causes the boat to crash onto offshore rocks. With two of his friends trapped in the boat wreckage, Paul and his girlfriend Barbara (Raquel Meroño) must go to a nearby village to find help.

Calm down - it's just a dream (at first)!
Calm down – it’s just a dream (at first)!

Paul soon realises that the village locals are rather odd and then he starts seeing a mermaid (Macarena Gomez), who had appeared previously in his dreams…

Mouthful of tentacles!
Mouthful of tentacles!

As the story continues, it is revealed that the villagers pray to an unholy sea god and there are shambling, hybrid offspring roaming about the place.

They definitely seemed to try and make the lead look like Jeffery Combs in this illustration
They definitely tried to make the lead look like Jeffery Combs in this illustration

Released in Spain as DAGON: LA SECTA DEL MAR, this horror film was directed by Stuart (RE-ANIMATOR) Gordon, written by Dennis (FROM BEYOND) Paoli and was produced by Brian (NECRONOMICON) Yuzna . This creative threesome definitely have a lot of experience producing Lovecraft-tastic horror flicks!

Spanish poster
Spanish poster

DAGON actually has more in common with H. P. Lovecraft’s novella ‘The Shadow Over Innsmouth’, rather than the titular short story. But, hey, so long as we get fishpeople, rainy village alleys, a monstrous sea deity and abundant tentacles, who’s complaining, right?

Peek-a-boo!
Peek-a-boo!

For me, the main selling point of Stuart Gordon’s low budget slice of Lovecraftian horror is the chance to see some cool prosthetic octopus/human hybrids. These practical makeups are effectively done.

Octo-face dude!
Octo-face dude!

Gordon also makes a real effort with the atmospherics, setting most of the movie during a heavy rainstorm. On the downside, though, I thought the lead actor was pretty poor (where is Jeffery Combs when you need him?) and the little snippets of CGI used in the film were of inferior quality, especially compared to the fine-looking prosthetics.

It's raining most of the time in Dagon
It’s raining most of the time in this movie
Wet, slimy and toothy!
Wet, slimy and toothy!

Fortunately, DAGON has more positives than negatives, featuring such horror highlights as an impressively gory skin-flaying scene and the human sacrifice finale.

Sacrifice time...
Sacrifice time…
...and here comes the tentacled god-monster!
…and here comes the tentacled god-monster!
Does the sacrificial victim survive? Erm... no!
Does the sacrificial victim survive? Erm… no!

And let’s not forget what is definitely my favourite moment in this Spanish production: an attractive woman called Uxía Cambarro, played by Macarena (SEXY KILLER) Gómez, lying on a bed… with tentacles for legs!

She has very flexible appendages!
She has very flexible appendages!

Let’s have a look at some DVD artwork…

US DVD cover
US DVD cover
French DVD sleeve
French DVD sleeve
UK DVD sleeve
Italian DVD cover
Czech DVD cover
Australian DVD cover
Australian DVD cover

Here’s a very lovely Blu-ray cover…

Niiiiiiiice illustration!
Niiiiiiiice illustration!

Okay, okay, let’s have one more look at the lady with the tentacle-legs…

Twitchy tentacles!
Twitchy tentacles!

Dinosaurus! (1960)

Dino fight!
Dino fight!

Engineers using explosives to enlarge a harbour on a Caribbean island discover the bodies of two dinosaurs, which have been frozen in a kind of suspended animation in mud beneath the sea floor.

US 1 sheet poster
US 1 sheet poster

The dinosaurs, a Tyrannosaurus Rex and a Brontosaurus, get winched onto the island and are left lying on the beach. In the middle of a storm that night the big beasties are struck by lightning… and come back to life! Yay!

The frozen Tyrannosaurus Rex is dragged ashore
The frozen Tyrannosaurus Rex is dragged ashore
The inanimate bodies of the Brontosaurus and the Tyrannosaurus lie on the beach
The inanimate bodies of the Brontosaurus and the Tyrannosaurus lie on the beach

The prehistoric reptiles start roaming about the island and, to add to the fun, a caveman (Gregg Martell), who was also originally frozen at the bottom of the sea, reawakens too!

Cool caveman makeup by Don L. Cash
Cool caveman makeup by Don L. Cash

Mike Hacker (Fred Engelberg), the island’s mean-spirited deputy mayor, plans to financially exploit the caveman, but the Neanderthal gets away, becoming friends with an orphan boy called Julio (Alan Roberts). The caveman also takes a liking to Betty Piper (Kristina Hanson), who is the girlfriend of head engineer Bart Thompson (Ward Ramsey).

Mike Hacker is the movie's baddie
Mike Hacker is the movie’s baddie
The caveman takes Betty to a cave, where he makes her cook for him
The caveman takes Betty to a cave, where he makes her cook for him

As the movie progresses, we get to see Hacker and a couple of his goons chase Julio and the caveman around the island, the Tyrannosaurus attack a busload of locals, Julio and the caveman ride on the back of the Brontosaurus, and Bart battle the Tyrannosaurus with a mechanical digger!

Tyrannosaurus Rex versus digger!
Tyrannosaurus Rex versus digger!
When prehistoric reptile meets a 20th century machine!
When prehistoric reptile meets a 20th century machine!

DINOSAURUS! was produced by Jack H. Harris, so you know the film is going to be low budget but a lot of fun, like some of his other productions, such as THE BLOB (1958), 4D MAN (1959), EQUINOX (1970), SCHLOCK (1973) and DARK STAR (1974).

The Tyrannosaurus crushes a vehicle full of islanders: pretty ruthless for a children's film!
The Tyrannosaurus crushes a vehicle full of islanders: pretty ruthless for a children’s film!
Crunch!
Crunch!

Marcel (KING KONG) Delgado built the dinosaur puppets and the stop-motion was done by Tom Holland, Phil Kellison, David Pal, Ralph Rodine and Don Sahlin.
Tim Baar, Wah Chang and Gene Warren handled the special photographic effects.

Dinosaur showdown!
Dinosaur showdown!

Unfortunately, the table-top stop-motion lacks the finesse of Harryhausen or Danforth (supposedly the schedule was pretty rushed), so this tightly-budgeted movie is never going to be considered a top tier stop-motion dino movie like THE VALLEY OF GWANGI or WHEN DINOSAURS RULED THE EARTH. However, on its own terms, DINOSAURUS! is a pretty watchable, event-filled fantasy that passes the time nicely.

Riding on a dinosaur: cool!
Riding on a dinosaur: cool!

Directed by Irvin S. Yeaworth Jr, the movie boasts a bunch of fun scenes with the caveman, colourful cinemascope photography and it ends with a question mark, just like Yeaworth’s THE BLOB.

Cave-dude!
Cave-dude!

Okay, let’s talk a bit more about the movie’s special effects…

I actually think the large mechanical dinosaur models used in DINOSAURUS! look better on-screen than the stop-motion puppets. The cable-controlled T-Rex model, for instance, which is used in many scenes, certainly works better than the stop-motion version, with nice detail showing on its glistening skin.

The large mechanical Tyrannosaurus model
The large mechanical Tyrannosaurus model…
...and here's the cable-controlled dino in action
…and here’s the cable-controlled dino in action
Yikes! Run away!
Yikes! Run away!
The Tyrannosaurus doesn't like fire!
The Tyrannosaurus doesn’t like fire!

(Fun fact: whilst shooting the stop-motion scenes for this movie, the FX crew found time to use the Brontosaurus model and the miniature jungle set to film a shot for THE TWILIGHT ZONE episode ‘The Odyssey of Flight 33’.)

In Dinosaurus! the Tyrannosaurus (stop-motion puppet) approaches an old fort, where the islanders are hiding out
In the Dinosaurus! finale, the Tyrannosaurus (stop-motion puppet) approaches an old fort, where the islanders are hiding out

Here’s a shot of the two cable-controlled dino models…

Big models!
Big models!

One of the great things about DINOSAURUS! is that it spawned loads of stonkingly wonderful posters.

Feast your eyes…

French grande poster
French grande poster with bright purple background!
UK quad poster
UK quad poster
Italian poster
Italian poster
German poster
German poster
Belgian poster
Belgian poster
US half sheet poster
US half sheet poster
Japanese B2 poster
Japanese B2 poster
Italian poster
Italian poster
French poster
French poster
Thai poster: this features images of the Pteranodon and Archelon from One Million Years BC!
Thai poster: this features images of the Pteranodon and Archelon from One Million Years BC!
Argentinian poster
Argentinian poster
Italian poster
Italian poster
Australian 1 sheet poster
Australian 1 sheet poster
French poster
French poster
US window card
US window card
US insert poster
US insert poster
German poster
German poster
French poster
French poster with bright red background!
Italian poster
Italian poster
Right, now THIS is what I call a great double feature!
Right, now THIS is what I call a great double feature!

Some lobby cards…

Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Mexican lobby card
Mexican lobby card

A bunch of studio release photos…

Betty and the caveman
Betty and the caveman
Dastardly Hacker discovers the caveman
Dastardly Hacker discovers the caveman
Cave-in!
Cave-in!

The cover for the Dell comic book adaptation of the movie…

Wonderful art by George Wilson
Wonderful art by George Wilson

Super 8 home movie box art…

'Primeval monsters rock the earth in savage death duel!'
‘Primeval monsters rock the earth in savage death duel!’

Here’s an American VHS cover that used the Dell comic artwork…

‘Before DNA – real dinosaurs terrorize the earth’

And, finally, let’s look at the original artwork (without the typography) that was used as the VHS box art for Mountain Video’s release of DINOSAURUS!
Yes… this UK company thought they’d put Harryhausen’s Gwangi on the front cover!
And don’t ask me what that green face is supposed to be on the back cover…

Gouache on art board, painted by Philip Richards
Gouache on art board, painted by Philip Richards. (That caveman illustration is obviously based on one of the figures featured in Frank Frazetta’s ‘Neanderthal’ painting!)

The Terrornauts (1967)

Could any film actually live up to the exploitative promise of this lurid poster artwork?

Three staff members of Project Star Talk (Simon Oates, Stanley Meadows & Zena Marshall) are working at a radio telescope site when they are taken to an asteroid fortress by a space ship. Also carried along for the ride is an accountant (Charles Hawtrey) and a tea lady (Patricia Hayes). The group meet a robot and must pass some tests before using the fortress’ missiles to save the Earth from an armada of alien vessels.

The asteroid fortress
The asteroid fortress
Here's the robot
Here’s the robot
Carry On movie regular Charles Hawtrey plays accountant Joshua Yellowlees 
Carry On movie regular Charles Hawtrey plays accountant Joshua Yellowlees 
Nom, nom, nom...
Nom, nom, nom…

THE TERRORNAUTS is a British science fiction film made by Amicus Productions, based on Murray Leinster’s 1960 novel The Wailing Asteroid. The screenplay was written by sci-fi author John Brunner and the film was directed by Montgomery (BATTLE BENEATH THE EARTH) Tully.

Poster
US poster
You break it, you buy it, mate
You break it, you buy it, mate

There’s no escaping the fact that THE TERRORNAUTS was definitely done on the cheap… and I do mean very cheap!

Ah, look at those super-realistic planets!
Ah, look at those super-realistic planets!
Hi-tech robot!
Hi-tech robot!

The film resembles a brightly-coloured, low budget Doctor Who episode. But if you look beyond the threadbare production values, you’ll find that THE TERRORNAUTS does have an interesting premise: a long-gone alien race has left its tech behind so that mankind can defend itself from an interstellar foe.

Another shot of the robot
Another shot of the robot

I do also like the alien critter, revealed as a hologram. If you can imagine an unrealistic man-in-suit creature costume designed by a surrealist… that is what the alien looks like!

The alien's 'face'
The surreal alien’s ‘face’
Sandy (Zena Marshall) and the alien
Sandy (Zena Marshall) and the alien
The alien's eye, which is on its torso
The alien’s eye, which is on its torso

The lurid poster (claiming we’ll be seeing ‘The virgin sacrifice to the gods of a ghastly galaxy!’) highlights a moment in the movie where the heroine is accidentally teleported to a planet and is nearly sacrificed by a bunch of green-skinned savages.
This in-your-face poster artwork promises, of course, far more than the film could ever hope to deliver.

Yikes! This is the poster's depiction of the sacrifice scene...
Yikes! This is the poster’s depiction of the sacrifice scene…
...and this is what the attempted sacrifice actually looks like in the film!
…and this is what the sacrifice scene actually looks like in the film!
Don't worry: Sandy gets saved
Don’t worry: Sandy gets saved

Here’s the pre-production concept artwork for the hologram alien, by designer Bill Constable, showing that the strange being was always intended to have an eye positioned at an odd place on its body.

This concept for the alien creature makes it resemble a surreal tree stump
This concept for the alien creature makes it resemble a surreal tree stump

And here’s another couple of shots of the alien as seen in the film, with its eye located on its waist…

Not the most realistic alien costume ever produced!
Not the most realistic alien costume ever produced!
Who are you lookin' at?
Who are you lookin’ at?

Some lobby cards…

Lobby card
Lobby card
Mexican lobby card
Mexican lobby card

Finally, here’s the UK DVD cover…

UK DVD cover
UK DVD cover

The Woman Eater (1958)

The tree monster has got the munchies again!
The tree-shrub monster has got the munchies again!

Also known as WOMANEATER, this low budget British horror movie stars George (THE SKULL, BLOOD FROM THE MUMMY’S TOMB, THE FINAL PROGRAMME) Coulouris, Vera (QUATERMASS 2) Day, Joy Webster and Peter Forbes-Robertson. It was directed by Charles (THE MAN WITHOUT A BODY) Saunders, written by Brandon Fleming and produced by Guido (BURKE & HARE) Coen.

US poster
US poster

George Coulouris, who plays the villainous doctor, certainly had quite an interesting filmography: appearing in CITIZEN KANE, PAPILLON, FOR WHOM THE BELL TOLLS, MAHLER… and THE WOMAN EATER!

George Coulouris thinks back to when he starred in films like Citizen Kane...
George Coulouris thinks back to when he starred in top-drawer films like Citizen Kane…

THE WOMAN EATER tells the story of Dr Moran, who is feeding women, that have been hypnotised by a native bongo drummer called Tanga, to a strange, flesh-eating tree-thing that resides in his basement lab/dungeon.

Tanga, the tribal drummer, prepares another victim for the Amazonian plant-thing
Tanga, the tribal drummer, prepares a victim for Dr Moran’s Amazonian plant-thing
Grabbed by a devil-tree!
Grabbed by a devil-tree!

Dr Moran, we discover, brought this vile vegetable back from the Amazon and is using the killer plant to create a serum that he hopes will bring the dead back to life.

So let’s get this straight: the doctor is killing people so that he can bring life back to people!?! Erm, I don’t quite see the logic in this plan!

Some of the shrub-monster's limbs look like they have rubbery pincers
Some of the shrub-monster’s limbs look like they have rubbery pincers

This cheaply-made, exploitative film has a seedy, voyeuristic vibe, which is in keeping with the sleazy doctor himself, who says he is doing all this for scientific reasons but he only ever feeds young, curvy women to his death-shrub… as he watches.

One of the many voyeuristic shots of women being groped by the vegetable-beast's branch-arms
One of the many voyeuristic shots of women being groped by the vegetable-beast’s branch-arms
Tanga and a horrified victim
Tanga and a horrified victim

Ultimately, THE WOMAN EATER is an odd but actually quite watchable flick.

Vera Day as Sally
Vera Day as Sally
Tanga prays to his beloved tree monster as it burns
Tanga prays to his beloved tree monster as it burns

Here are some posters…

US poster
US poster
UK poster
UK poster
US poster
US poster

Lobby cards…

Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card

Finally, here’s the cover to a German film program…

German program cover
German program cover

At The Earth’s Core (1976)

Detail from UK quad poster

After the success of its Edgar Rice Burroughs adaptation THE LAND THAT TIME FORGOT (1974), Amicus decided to give us another Burroughs fantasy adventure with AT THE EARTH’S CORE (1976).

Starring Doug McClure once again, AT THE EARTH’S CORE also added Peter Cushing and the ever-glamorous Caroline Munro (as a beautiful slave girl princess) to the cast list.

Peter, Caroline and Doug
Peter, Caroline and Doug

The men-in-suit beasts are pretty shoddy (compared to Roger Dicken’s rod-puppet dinosaurs in THE LAND THAT TIME FORGOT) and the score is lacklustre, but the nonstop incident and Caroline Munro make it watchable. Peter Cushing seems to be enjoying himself as the dotty professor (“You can’t mesmerise me, I’m British!”), who gets to shoot a fire-breathing toad-monster with arrows (it explodes!)

My favourite monsters in the movie are the two critters that fight over the dead slave, which look like bipedal versions of the prehistoric mammal Brontotherium (they were referred to as ‘Bos’ in the publicity at the time of the film’s release, as I remember.)

I also like the creature that attacks McClure and a tribesman that seems to be half animal (it has tentacles) and half plant (its mouth looks like a glowing Venus Flytrap).

A beaky monster and giant mushrooms!
A beaky monster and giant mushrooms!
A 'Bos' chews a victim!
A ‘Bos’ monster chews a victim!

Other monsters in this movie include a beaked, parrot-faced dinosaur-like beast, a big quadrupedal creature that Doug McClure fights in a cave arena, and telepathic pterosaurs called Mahars.

The film also features Sagoths, which are humanoid servants of the Mahars, and the Iron Mole: the drill-nosed burrowing machine that carries McClure and Cushing deep through the Earth’s crust.

Doug fights a monster!
Doug fights a monster!
A flame-breathed beast
A flame-breathing beast
Mahars: the rulers of this subterranean world
Mahars: the rulers of this subterranean world
A piggy-nosed Sagoth
A piggy-nosed Sagoth

Let’s be honest: AT THE EARTH’S CORE is never going to be considered a fantasy classic, but it’s a no-nonsense adventure romp, stretching its small budget as far as it can, filling the screen with its series of colourful sets, purple skies and ludicrous beasties.

Here are a whole bunch of posters for the film…

UK 1 sheet. Art by Tom Chantrell
UK 1 sheet. Art by Tom Chantrell
US half sheet poster
US half sheet poster
Australian daybill poster
Australian daybill poster
Italian poster
Turkish poster
Turkish poster
UK quad poster
US 1 sheet
US 1 sheet
Japanese Chirashi mini-poster - front
Japanese Chirashi mini-poster – front
Japanese Chirashi mini-poster - reverse
Japanese Chirashi mini-poster – reverse
US insert poster
US insert poster
Swedish poster
Romanian poster
Romanian poster
German poster
German poster

Here are some pages from an AT THE EARTH’S CORE pressbook…

Pressbook cover
Pressbook cover
Page 3 of pressbook
Page 3 of pressbook
Page 8 of pressbook
Page 8 of pressbook
Page 9 of pressbook
Page 9 of pressbook

Some DVD covers…

UK DVD cover
UK DVD cover
Japanese DVD cover
Japanese DVD cover
German DVD cover
German DVD cover

Lobby cards…

Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card

Home movie box art…

Super 8 colour/sound
Super 8 colour/sound

Finally, here’s a Caroline Munro publicity still for the film…

Caroline as slave girl Dia
Caroline as slave girl Dia

The Hollow (2015)

Fiery tree root monster!
Fiery tree root monster!

When (irritating) bickering sisters Sarah (Stephanie Hunt), Marley (Sarah Dugdale) and Emma (Alisha Newton) go to Shelter Island (even though they are repeatedly warned not to go there today) to stay at their aunt Cora’s house, they stumble upon dead bodies in the streets and are attacked by a murderous creature. The sisters then run into other survivors and discover that the island is suffering from a curse that was placed on it by women who were executed as witches some time in the past. As the weird creature continues to hunt down any survivors that cross its path, the sisters must try to keep out of the thing’s clutches until dawn.

A monster formed from roots/twigs/vines/branche
A monster formed from roots/twigs/vines/branches

THE HOLLOW, directed by Sheldon (RED: WEREWOLF HUNTER) Wilson, who also cowrote the screenplay with Rick (SCARECROW) Suvalle, is a SyFy network original.

The sisters can get rather irritating
The sisters can get rather irritating

The plot is no great shakes, becoming rather repetitive, with characters doing the same thing several times over, such as getting the creature’s attention, even though this risks their own life, so that others can escape from the thing.
There’s a potentially interesting backstory concerning a curse on the island, but this isn’t really gone into, with little explanation given to the source of the supernatural twiggy critter that is on the loose.

The acting really varies in quality too, unfortunately, with some of the supporting cast coming across as pretty damn hammy.

Sorry, dude, but you're the hammiest actor in this film
Sorry, dude, but you’re the hammiest actor in this film

As this is a SyFy flick, the film’s main threat is, of course, an all-CGI monster. So… I bet you’re expecting me to criticise this aspect of the film too, right?

Wrong!

I really like the creature in this movie!

Twiggy beastie!
Twiggy beastie!

The monster is a strange, humanoid-shaped being that is formed from roots/twigs/vines, constantly glowing with a smouldering inner fire.

It actually looks pretty striking whenever it is on screen. In one scene it rams its burning root-twig arm through a wall to grab the head of one of the characters.

Gotcha!
Gotcha!

Basically, this creature is just too good for the film that features it!

It's on a tree!
It’s on a tree!
It's hanging from the ceiling!
It’s hanging from the ceiling!
It's peeking around the corner!
It’s peeking around the corner!
I think this creature is an effective CGI creation
I think this creature is an effective, cool CGI creation
The forest location looks really rather good in the film too
The forest location actually looks really rather good in the film too

Devoted to every kind of movie and TV monster, from King Kong to Godzilla, from the Blob to Alien. Plus monsters from other media too, including books and comics.