Tag Archives: horror

Imaginator Magazine Issue 10!

Imaginator issue 10 - outer cover

Issue 10 of Imaginator Magazine is available via Amazon and other fine retailers…

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This issue boasts loads of mouth-wateringly marvellous Godzilla-related contents, plus a massive celebration of the bloody & brilliant cult classic SHOGUN ASSASSIN. There are other goodies too, including reviews of a bunch of entertaining movies, including MONSTER SHARK and RIVER OF BLOOD.

Posters for River of Blood and Monster Shark

Forming part of this issue’s massive Godzilla movies zone is a series of 12 mini-articles, written by a selection of creative people (artists, actors, directors, publishers, and so on), who each choose their favourite Godzilla film to praise!

In this issue…

A TRIBUTE TO GODZILLA
51 pages are devoted to Godzilla – the King of the Monsters!

The Godzilla-tastic contents include:

JORG’S TOP FIVE GODZILLA MOVIES
Director Jörg Buttgereit, famed for his transgressive arthouse-horror movies NEKROMATIK (1988), DER TODESKING (1990), NEKROMATIK 2 (1991) and SCHRAMM (1993), shares with us his top 5 Godzilla movies!

RUSSELL FOX PRAISES… GODZILLA (1954)
Russell Fox, the comic book illustrator who has credits that include work for 2000AD and cover art for Dynamite Entertainment’s PURGATORI comics, explains why this Godzilla flick influences his style.

Godzilla (1954)

ALLAN BRYCE PRAISES… MOTHRA VS. GODZILLA
Allan Bryce, the convivial editor of the very popular magazines THE DARK SIDE and INFINITY, gushes about his fave Godzilla film.

Mothra and her egg

WILLIAM MARTELL PRAISES… GODZILLA MINUS ONE
William Martell, who is the writer of films including NINJA BUSTERS, DROID GUNNER and HARD EVIDENCE (and the author of the incredibly helpful how-to book on writing for the movies: THE SECRETS OF ACTION SCREENWRITING), informs us why this Big G film ticks all the boxes!

Godzilla Minus One

KEN MILLER PRAISES… DESTROY ALL MONSTERS
The editor of IMAGINATOR magazine loves this film – and now he’s going to tell you why.

Destroy All Monsters poster

HANS KAUFMANN PRAISES… GODZILLA (2014)
Hans Kaufmann, the director, writer, editor and producer of the social-drama-meets-Taxi-Driver movie THE WORKING MAN (2019), fills us in on why he thinks this US Godzilla release is so good.

Detail from the Hans Kaufman article

DAVID FITZGERALD PRAISES… SHIN GODZILLA
David Fitzgerald, the FX artist & actor who helped create the barbaric outfit worn by the god-monster in RAWHEAD REX (1986) and starred in the M.R. James parody horror film SQUEAK AND I’LL RUN TO YOU (2021), reveals that he likes the look of Shin Godzilla’s teeth!

Shin Godzilla

RICKY BAKER PRAISES… GODZILLA MINUS ONE
Ricky Baker, editor of the kung-tastic magazine EASTERN HEROES and the co-author of THE NEW ESSENTIAL GUIDE TO HONG KONG MOVIES, highlights what makes this modern Godzilla classic rock!

Godzilla Minus One

DIALLO JACKSON PRAISES… KING KONG VS. GODZILLA
Diallo Jackson, the writer/creator whose work includes short stories, novels, and the comic book THE PARANORMALS, reveals why this film was appointment viewing for him.

King Kong vs. Godzilla poster

RAIMUND HUBER PRAISES… GODZILLA MINUS ONE
Raimund Huber, the director of thrilling, kinetic actioners like BANGKOK ADRENALINE (2009) and KILL ‘EM ALL (2012), divulges why he thinks this Godzilla movie stands out.

Detail from Imaginator magazine page

JOE CASTRO PRAISES… GODZILLA VS. THE SMOG MONSTER
Joe Castro, the special effects artist who has created numerous great-looking practical (often very splattery) FX gems for productions including BLOOD FEAST 2: ALL U CAN EAT (2002), BONEHILL ROAD (2017), THE BEAST COMES AT MIDNIGHT (2023) and TERROR TOONS (2002), reveals how this Showa era Godzilla film inspired him to join the movie business.

Godzilla vs. the Smog Monster poster

RUSSELL SHAW PRAISES… GODZILLA MINUS ONE
Russell Shaw, the actor who has starred in WITCH (2024), ADVENTURE BOYZ (2019), THE LOCKDOWN HAUNTINGS (2021), ESCAPE (2023) and many more films, describes why this is, for him, a truly impressive Godzilla movie.

Actor Russell Shaw praises Godzilla Minus One

MARK DUFFIELD PRAISES MONSTERS FROM AN UNKNOWN PLANET
Mark Duffield, who is the writer, director and cinematographer of the Thai-based supernatural movie GHOST OF MAE NAK (2005), and the writer, director, producer, editor, art director and cinematographer of the fine Victorian-set Gothic horror film DEMON (2012), fondly remembers seeing this Godzilla film in the cinema back in the 70s…

GODZILLA VS. MARVEL
Read about GODZILLA VS. AVENGERS, and find out why the one-shot comic GODZILLA VS. THOR is so very, very good!

Godzilla vs. Thor
Godzilla vs. Avengers

GODZILLA – KING OF THE KAIJU
A 16-page appreciation of EVERY ONE of the city-trashing behemoth’s many, many movies!

Godzilla - King of the Kaiju title page - detail
A shot from Ebirah, Horror of the Deep

THE MISSING MONSTER FROM GODZILLA VS. KONG
Hollywood Creature Designer Ken Barthelmey talks about a beast he designed for GODZILLA VS. KONG, which never made it into the movie…

Shimidah maquette

GODZILLA POSTER GALLERY
Feast your eyes on a sumptuous selection of stunning Godzilla artworks.

Godzilla pre-release poster

ULTRA HD HAVOC!
Johnny Burnett raves about Godzilla movies released on 4K UHD and Blu-ray!

Detail from 'Ultra HD Havoc!' title page

A CELEBRATION OF SHOGUN ASSASSIN

40 pages are given over to honouring SHOGUN ASSASSIN and the LONE WOLF AND CUB films & comics! This includes an overview of the superb, gory samurai flick SHOGUN ASSASSIN, plus a quick lowdown on every LONE WOLF AND CUB movie and TV show, and there’s a dive into the world of the original manga too!

Image from Shogun Assassin


VOICE OF DAIGORŌ!
Gibran Evans, who gave Daigorō his voice in SHOGUN ASSASSIN, talks to us!

Daigorō from Shogun Assassin

MASTER POSTER PAINTER!
An interview with Jim Evans, painter of the iconic SHOGUN ASSASSIN poster!

Shogun Assassin UK quad poster

Plus – SHOGUN ASSASSIN and LONE WOLF AND CUB Blu-rays & DVDs are reviewed!

Shogun Assassin Blu-ray Collector's Set

RADIOACTIVE REVIEWS

Movies reviewed include THE LAST SACRIFICE and MONSTER ISLAND. Guest reviews from horror novelist Ramsey Campbell and scriptwriter William Martell!

The Last Sacrifice poster
Shot of creature from Monster Island
Monster Island

LIGHT AND SHADOW
Plunge into the striking b&w world of artist Russell Fox’s fantastical comic book illustrations!

Russell Fox illustrations - detail

Some of these articles originally appeared in issue 2 of FILM FRENZY, a magazine Ken Miller edited and co-published through Eastern Heroes. Now that he’s running his own publication, Ken decided to share some of those contents, notably the SHOGUN ASSASSIN features, because, well, they’re great, especially the interviews with two key figures connected to the making of the movie: Jim Evans and Gibran Evans. Hopefully more readers will now get the chance to enjoy this material!

Imaginator 10 front cover

Bloody Muscle Body Builder in Hell (1995)

Promo art
Get ready for lots of low budget blood and gore!

Starring Shinichi Fukazawa, Masaaki Kai and Asako Nosaka. Written, directed and produced by Shinichi Fukazawa.

Love this poster!
Love this poster!

Naoto (Fukazawa) is asked by his ex- girlfriend, Mika (Nosaka), to take her to the haunted house that Naoto has inherited from his deceased dad. They are accompanied by a psychic (Kai), who is able to pick up on an ominous presence in the building. Later, the face of Naoto’s dead father (also played by Fukazawa) appears on a TV screen to warn his son that the psychic is possessed by the ghost of his murdered lover, who has the power to prevent them from leaving the house… and Naoto is informed that the only way to deal with the psychic is to hack him to bits!

Low budget gory things occur throughout the film
Low budget gory things occur throughout the film

This very low budget film from Japan, also known as THE JAPANESE EVIL DEAD, looks really grainy (it was shot on Super 8) and manages to make Sam Raimi’s 1981 movie look like a big budget IMAX production in comparison! Shinichi Fukazawa filmed most of this flick in 1995, but it wasn’t released on DVD in Japan until 2012. It received an official international release in the UK by Terracotta Distribution in 2017, and since then Visual Vengeance has released the film on Blu-ray in America. 

Bloody Muscle Body Builder in Hell artwork
Artwork for the Visual Vengeance release

There are lots of lo-fi FX to keep you watching BLOODY MUSCLE BODY BUILDER IN HELL, such as when the ghost drops a pendant into the psychic’s mouth, after which the pendant slithers from the victim’s mouth via jerky stop-motion effects, then bores through his eye, into his head! We also get to see a knife rammed through a head, skewering an eyeball on the blade’s tip. Some of the visual gore gags are fun, like when Naoto uses his chest expander as a kind of catapult to fire an iron bar through a zombie’s head. These effects are far from realistic, but I guess it’s the willingness of Fukazawa to try and put this stuff onscreen not matter what that counts.

Ouch!
Ouch!

As much as Fukazawa tries to emulate Sam Raimi’s first two EVIL DEAD movies (at one point the lead character even says “Groovy”), there’s a lack of real verve and bravura camera techniques compared to Raimi’s productions. The location lacks atmosphere too, with everything shot in close-up. But perhaps it’s churlish to be too critical about the film’s shortcomings, as there’s an I’m-doing-the-best-I-can determination to the proceedings, with Fukazawa trying to get as much up on screen as his budget (and his skills) will allow. Thus we get a severed head zipping about on a severed hand, more cheap and cheerful stop-motion footage, and a sequence where the dead girl uses body parts and blood to regrow herself à la a bargain basement version of what happens in HELLRAISER (1987).

A shot from Bloody Muscle Body Builder in Hell
A shot from Bloody Muscle Body Builder in Hell
A shot from Bloody Muscle Body Builder in Hell
A shot from Bloody Muscle Body Builder in Hell
Above: four shots from the movie

The film ends with shots of a decomposing zombie body, again accomplished by stop-motion and amateur gore effects, that apes the finale of THE EVIL DEAD (1981), though it’s all done in a far less accomplished way, of course.

Lo-fi gore FX!
Lo-fi gore FX!

If you’re partial to do-it-yourself horror productions and you’re happy to ignore the many shortcomings, the non-existent budget, and a lack of professional technique, then this short, inexpertly-made, unpretentious homage to Sam Raimi’s classics just might be your cup of (tarnished) tea.

Now this is a brilliant poster!
Now this is a brilliant poster!

Hell Hole (2024)

Starring Toby Poser, John Adams and Anders Hove. Written by John Adams, Lulu Adams and Toby Poser. Directed by John Adams and Toby Poser. Produced by Matt Manjourides and Justin A. Martell.

'A hole new kind of hell'
‘A hole new kind of hell’
Tentacles erupt from the water!
Tentacles erupt from the water!

This flick begins with a large tentacle extending from a Napoleonic soldier’s arse! And why not, eh?!  Jumping to the present, a Napoleonic soldier’s (still-living) body is pulled from a fleshy cocoon in the muddy soil near a fracking operation, and a killer parasite begins to infect one victim after another.

Oh no! An arse-tentacle!
Oh no! An arse-tentacle!

We learn that the parasite-mollusc always chooses male victims because their sperm is needed to fertilise the egg of this creature, and little nuggets of extra information regarding the mollusc-thingy are revealed, keeping the plot kinda interesting, but the narrative drive is continually stalled by the filmmakers’ decision to constantly halt proceedings for yet another scene of characters standing around, chatting.

Yikes! It's a tentacled monster!
Yikes! It’s a tentacled monster!

The creature’s host-hopping activities lack the variety and impact of THE THING (1982), but the CGI is adequate, supplemented by quick cuts to a practical creature model. The critter itself, when it is seen clearly at the end, is a novel little squid-beast with an eye encircled by protruding teeth. 


Small tentacles sometimes poke from a victim's mouth...
Small tentacles sometimes poke from a victim’s mouth…
...and we get to see a mini-tentacle slither from someone's eye...
…and we get to see a mini-tentacle slither from someone’s eye…
...and sometimes tentacles protrude from various facial exit-points at the same time!
…and sometimes tentacles protrude from various facial exit-points at the same time!

HELL HOLE, made by the Adams Family – father John Adams, mother Toby Poser, and daughter Lulu Adams – is definitely a watchable film that really could’ve been better with a less repetitive plot.

Watch out for the squid-thingy!
Watch out for the squid-thingy!

But, hey, the movie earns a thumbs-up because it does include folks exploding and, of course, it features arse-tentacles too!

Bodies do explode in this film...
Bodies do explode in this film…

Imaginator magazine’s CREATURE FEATURE SPECIAL EDITION!

There is SO MUCH monster-tastic wonderfulness enclosed in this issue!

Imaginator issue 9 cover


Imaginator magazine’s CREATURE FEATURE SPECIAL EDITION is available all over the world (UK, US, Netherlands, Japan, Brazil, etc) via Amazon and other fine retailers!

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Buy Now

Okay… let’s check out the issue’s contents…

PREDATOR
Award-winning creature designer/creator STEVE WANG talks about designing and building one of the most iconic alien characters ever created for the screen… the original PREDATOR!

Opening spread of Steve Wang interview

DRAGONSLAYER
Special effects & make-up effects titan CHRIS WALAS recounts what it was like helping to bring to life the greatest-looking movie dragon: Vermithrax Pejorative! 

Dragonslayer/Chris Walas feature

ALIEN
Actress VERONICA CARTWRIGHT is interviewed about working on the classic genre movies ALIEN, INVASION OF THE BODYSNATCHERS and THE BIRDS! She describes the day they shot the bloody Chestburster scene!

Alien (1979)

WEREWOLVES
A look at the awesome practical creature FX used in WEREWOLVES (2024)! One of the actor-producers tells us what it was like to work with Frank freakin’ Grillo!

Wererwolves (2024)

ELDRITCH ENCOUNTERS
Horror fiction author, editor and critic RAMSEY CAMPBELL reviews two films made by the H. P. Lovecraft Historical Society!

Cthulhu illo

CREATURE FEATURE REVIEWS
Noah Kneal, Simon Pritchard and Ramsey Campbell review a bunch of monster movies! Titles include BOGIEVILLE and ALIEN FROM THE ABYSS!

Alien from the Abyss
Bogieville poster

THE DEADLY SPAWN
JOHN DODS chats about making the gorgeously gooey, triple-headed monster star of THE DEADLY SPAWN (1983), plus he covers other pivotal moments in his career, including building creatures for SPOOKIES (1986) and NIGHTBEAST (1982)!

First page of John Dods interview

INTO THE DEEP
2025 is the 50th anniversary of the release of JAWS… and it is also the year that Richard (Hooper) Dreyfuss is unleashed upon the world in a brand new shark movie: INTO THE DEEP! Action director CHRISTIAN SESMA tells us all about it!

In the Deep

BEASTS OF BLOOD ISLAND
A dive back into the lurid, tropical, colourful world of Eddie Romero’s Filipino fright flicks! 

Beast of Blood

SQUIRM
Director JEFF LIEBERMAN reminisces about his incredibly enjoyable killer bloodworms opus SQUIRM!

Squirm

HORROR QUEEN
Exploitation movie star GERETTA GERETTA chats about starring in RATS: NIGHT OF TERROR (1984) and the insanely kinetic DEMONS (1985) – plus she even reveals what the recipe is for making demonic movie drool!

Geretta Geretta in Demons

MONSTROUSLY TALENTED
This interview with KEN BARTHELMEY, a mega-gifted concept designer and illustrator who focuses on Creature & Character Design work for big Hollywood movies, includes lots of very impressive concept artworks for such films as THE TOMORROW WAR, GODZILLA: KING OF THE MONSTERS and GODZILLA VS. KONG!

Ghidorah design

SHE’LL BLEED YOU DRY
MADALINA BELLARIU ION stars as a sultry and sometimes savage vampire in the impressive UK horror movie DRAINED! Here she chats about playing a vampire and playing a werewolf, and also fills us in on what it was like co-starring with Scott Adkins in a recent action flick!

Madalina Bellariu Ion interview

NO ONE GETS OUT ALIVE
The supremely talented Creature Designer KEITH THOMPSON discusses how he conceptualised the surreal and wonderfully macabre god-monster that appears in the memorable finale of NO ONE GETS OUT ALIVE (2021), the movie adaptation of the Adam Nevill novel!

Keith Thompson creature design for No One Gets Out Alive

THE FLY
Oscar-winning creature-creator CHRIS WALAS returns with a second interview this issue! Here he talks about the amazing work he did creating Brundlefly for David Cronenberg’s utterly wonderful THE FLY!  

Brundlefly

A VVITCH – GRAPHIC NOVEL UPDATE
Artist and writer Russell Fox treats us to another sneak peek at more sumptuous-looking illustrations that’ll be appearing in his upcoming folk horror graphic novel A VVITCH! (More of his work can be viewed in issue 8 of Imaginator)

A VVitch illustration

BONE KEEPER
This is a new movie, which has recently finished principal photography, about a group of friends being hunted by a malevolent monster in a cave. Director HOWARD J. FORD and creature effects VFX supervisor GIORDANO AITA talk about working together on BONE KEEPER, and they share with us some ace images of the development of the cave creature!

Bone Keeper poster

THE MAN WHO WAS MOLASAR
Actor Michael Carter is asked what it was like to wear the incredibly distinctive and damn cool Molasar muscle suit in THE KEEP. He also speaks about the makeup application process he underwent to become Bib Fortuna in RETURN OF THE JEDI, and he chats about playing a memorable London subway victim in the all-time 80s horror film classic AN AMERICAN WEREWOLF IN LONDON!

First page of Michael Carter interview

RADIOACTIVE REVIEWS
To finish off this issue there are a couple of non-monster movie reviews, including one for the Italian Mad Max ripoff 2020 TEXAS GLADIATORS!

2020 Texas Gladiators Blu-ray cover

Wow! So much lovely stuff is jammed inside this single issue!

LIMITED EDITION PRINTS
You can buy two Limited Edition Creature Feature Prints, signed and numbered by Imaginator’s cover artist ZillaMan, via this LINK!

Hellboy: The Crooked Man (2024)

Starring Jack Kesy, Jefferson White, Adeline Rudolph, Leah McNamara, Suzanne Bertish, Joseph Marcell and Martin Bassindale.
Written by Christopher Golden, Mike Mignola and Brian Taylor
Directed by Brian Taylor. Produced by Jeffrey Greenstein, Yariv Lerner, Mike Richardson, Sam Schulte, Les Weldon and Jonathan Yunger.
Campbell Grobman Films/Dark Horse Entertainment/Millennium Media

Tom Ferrell, Bobbie Jo Song and Hellboy
Tom Ferrell, Bobbie Jo Song and Hellboy

In 1959 Hellboy, who is accompanied by BPRD agent Bobbie Jo Song, has an occult adventure in the witch-filled woods of the Appalachians, where he teams-up with the stoic hillbilly hero Tom Ferrell and encounters the hellish Crooked Man, whilst also hunting down an escaped funnel-web spider that houses a demonic entity.

A giant, demon-possessed funnel-web spider! Yikes!
The demon-possessed funnel-web spider is capable of growing to giant size! Yikes!

This is an engaging, more compact instalment of the Hellboy saga, underlining the horror aspects of the comic book source material and deftly maintaining a folksy supernatural tone throughout.

This insect is actually a witch's familiar
This insect is actually a witch’s familiar

Jefferson White is particularly good as Tom, a character inspired by Manly Wade Wellman’s pulp horror protagonist Silver John, Adeline Rudolph plays special agent Bobbie Jo Song nicely as someone who views all the supernatural occurrences and practices from a very scientific perspective, and Jack Kesy is actually a really good Hellboy.

Hellboy and Tom Ferrell
Hellboy and Tom Ferrell

The Crooked Man himself (played by Martin Bassindale) is an interesting screen bogieman, though he did look scarier, I think, in the comic book version, as illustrated by the late, great Richard Corben.

A page from the comic book, written by Mike Mignola and drawn by Richard Corben
A page from the comic book, written by Mike Mignola and drawn by Richard Corben

There’s a lot of cool, interesting content and imagery in the movie: a witch refills her skin-suit by crawling back into it whilst in the form of a raccoon, and a supernatural black snake slithers from between a character’s legs and slides down her throat in a continuous cycle – and there’s other memorable stuff, including the lowdown on how to make witchballs. 

An evil black snake!
Swallowing the supernatural snake

HELLBOY: THE CROOKED MAN is not as big scale or glossy as its predecessors, but this works to its advantage, helping the film to come across as more faithful to the vibe (and often more modest scope ) of many of Hellboy creator Mike Mignola’s original yarns.

I really enjoyed this flick, and I would definitely like to see more Hellboy films told in this style!

A gigantic arachnid - woot!
A gigantic arachnid – woot!
Poster

The Desrick on Yandro

A tale featuring mysterious, quirky, mountain-dwelling beasts!

This book collects a lot of the Silver John short stories, including THE DESRICK ON YANDRO
This book collects the Silver John short stories, including THE DESRICK ON YANDRO

THE DESRICK ON YANDRO is a short fantasy-horror story written by pulp horror, sci-fi, fantasy author Manly Wade Wellman (May 21st, 1903 – April 5th, 1986), who created the wonderful evil-vanquishing character John, often referred to as Silver John or John the Balladeer. John roamed the Appalachian mountains with a silver-stringed guitar, which helped him to ward off evil (because the Devil and evil in general doesn’t like silver!) John speaks in a dialect that sounds authentic for the region, and Wellman’s turn of phrase in these stories lends a lyrical, poetic-folksy vibe to the narratives. THE DESRICK ON YANDRO was the second story about John to be written by Wellman, and it was first published in the June 1952 issue of THE MAGAZINE OF FANTASY & SCIENCE FICTION. 

THE DESRICK ON YANDRO was first published  in this magazine
THE DESRICK ON YANDRO was first published in this magazine

The yarn sees John agree to accompany a rich, pushy, unpleasant man called Mr. Yandro on a trip to Yandro Mountain, a mysterious place where Yandro’s grandfather, Joris Yandro, had courted a pretty witch, Polly Wiltse, who lived in a desrick atop the flat, wooded mountain peak. John and Mr. Yandro reach a cabin in the valley below the mountain, where Mr. Yandro is told by an old woman called Miss Tully that, seventy-five years ago, his grandfather had used Polly Wiltse’s witch-powers to locate gold on the mountain and then he had run away with the treasure, abandoning Polly.

Mr. Yandro, it seems, intends to trudge up the mountain and coerce the ancient Polly Wiltse into giving him more of the gold.

Miss Tully warns Mr. Yandro that ‘scarce animals’ live up on the mountain, creatures like the Toller – the hugest flying thing there is: its voice tolls like a bell, to tell other creatures their feed’s near. And she talks about the Flat – a critter that lies level with the ground, which can wrap around people like a blanket. Miss Tully mentions a furred beast called the Bammat, but Mr. Yandro suggests the old woman is referring to the Behemoth. Tully says that the Behemoth is from the Bible, and the Bammat is different, something hairy, with big ears and a long wiggly nose. Mr. Yandro laughs at this, saying that Miss Tully is referring to the extinct Mammoth. The old woman continues, telling Mr. Yandro about the Behinder – which is always hiding behind the man or woman it wants to grab, and she describes the Skim – a living thing that kites through the air, and she explains what the Culverin is – a creature that can shoot pebbles with its mouth.

Mr. Yandro just sneers at all this talk of weird animals. The next day he and John make their way up the mountain trail. John notes that it wasn’t folks’ feet that had worn that trail, it was hoofmarks… and soon John starts noticing things peering from the foliage, such as a big, broad-headed Bammat, a creature with white tusks like ‘bannisters on a spiral staircase’. But Mr. Yandro is oblivious to the things lurking amongst the trees until it is too late, and then, finally, he discovers that all these unlikely beasts really do exist… 

Artist Thomas Boatwright created some drawings of Silver John for a graphic novel treatment, but the comic book was never unpublished. Here's a DESRICK-inspired illustration.
Artist Thomas Boatwright created some drawings of Silver John for a graphic novel treatment, but the comic book was never published. Here’s a DESRICK-inspired illustration. Check out the Bammat behind John!
Another one of Thomas Boatwright's Silver John drawings produced for a graphic novel that never got produced. Shame!
Another one of Thomas Boatwright’s Silver John drawings produced for a graphic novel that never got produced. Shame!

THE DESRICK ON YANDRO is an enjoyable tall tale, with John playing something of a passive role, even though he is the narrator. But once it is explained by Miss Tully that the bitter witch Polly Wiltse had created a special song with the power (if it is heard by a member of the Yandro family) to draw a male Yandro relative back to her desrick, it becomes apparent that John has indeed played a very important function in the story: he happens to be singing this very song at a rich folks’ gathering at the start of the story, which triggers Mr. Yandro’s urge to seek out Polly.  

When John and Mr. Yandro reach the desrick (an old term for a kind of cabin that’s made of strong logs with loophole windows), Yandro is set upon by various creatures, and he is chased into the witch’s desrick, never to be seen again. It is inferred that the old, haggard Polly Wiltse doesn’t care which generation of the Yandro family she punishes, just so long as they resemble the man who’d wronged her all those years ago.   

Hedges Capers plays John in the film WHO FEARS THE DEVIL, aka THE LEGEND OF HILLBILLY JOHN (1972)
Hedges Capers plays John in the film WHO FEARS THE DEVIL, aka THE LEGEND OF HILLBILLY JOHN (1972)

I love the menagerie of uncanny critters that pop-up in this story. The Culverin has many legs, and has a needle-shaped mouth from which it spits a pebble at Mr. Yandro. The Behinder, which is a variation on the Hidebehind creature featured in lumberjack lore, is not explicitly described by John because it is too terrible a thing for anyone to want to remember properly. Several of the Skims are seen and they seem to be living frisbee-things, whilst the Flat resembles a black, broad, short-furred carpet rug! The specific look of the avian Toller isn’t gone into, we are simply told that it makes gong-gong-gong sounds.  

Wellman wrote a whole bunch of short stories about John, plus five novels. In 1972 the movie WHO FEARS THE DEVIL, aka THE LEGEND OF HILLBILLY JOHN, was released. This was a movie about Silver John’s adventures, and it was set within the same supernaturally-flavoured backwoods milieu of a bizarre rural Appalachia, just like in the books. Two of Wellman’s stories, O UGLY BIRD! and THE DESRICK ON YANDRO, were incorporated into the film’s script. 

The Legend of Hillbilly John video cover

The section of the movie that is based on THE DESRICK ON YANDRO story features actor Harris Yulin playing Mr. Yandro. In the film the character likes to dress as an undertaker. This part of the movie boasts some nicely-lit night shots, and it adds scenes that weren’t in the original story, involving Susan Strasberg playing the old hag witch Polly Wiltse, who pretends to be an attractive, still-young woman. The movie also includes John’s dog, called Honor Hound, which accompanies him on his trek up the mountain (the dog isn’t in the short story). This segment of the movie is certainly engaging, but (no doubt because of budgetary reasons) all the quirky folklore creatures are not shown! In the movie adaptation, John and Mr. Yandro simply mention such creatures as Behemoths and Behinders, and there’s an off-screen roar heard at one stage… but we NEVER get to see the folkloric fauna, which is a damn shame!

In the movie Mr. Yandro dresses like an undertaker
John and Yandro climb up the mountain
John and Yandro climb up the mountain

Fortunately, the part of the film inspired by the O UGLY BIRD! story does show the monster! The filmmakers bring the feathered fiend to the screen as a Ray Harryhausen-style flying, fiendish animated fowl! The Ugly Bird scenes add a lot of much-needed action and fantasy thrills to the production, and they’re definitely my favourite moments in the film. The quirky & creepy-looking puppet was designed and made by key animator Harry Walton, who did 85% of the animation, with Gene Warren Jr. providing animation for four shots. 

Ugly Bird attacks John!
Ugly Bird attacks John!
The animated monster bird swoops through the air!
The animated monster bird swoops through the air!

Despite the omissions in the DESRICK portion of the plot, and the rather loose directorial style, WHO FEARS THE DEVIL/THE LEGEND OF HILLBILLY JOHN remains an easygoing, episodic, folksy fantasia that’s fun to watch, even if the film lacks the specific atmosphere of the Wellman stories.   

THE LEGEND OF HILLBILLY JOHN

The film WHO FEARS THE DEVIL is reviewed in Imaginator magazine’s FOLK HORROR SPECIAL EDITION. You can find out more about this folk-tastic magazine HERE!

I first read THE DESRICK ON YANDRO short story within the pages of ALFRED HITCHCOCK’S MONSTER MUSEUM. This anthology book had stories about such beasts as a slimy blob-creature and intelligent ants, but it was the YANDRO tale that lodged itself in my memory.

ALFRED HITCHCOCK'S MONSTER MUSEUM book cover

The DESRICK story is also featured in various books that collect Wellman’s Silver John short tales together – JOHN THE BALLADEER,
OWLS HOOT IN THE DAYTIME AND OTHER OMENS
, and WHO FEARS THE DEVIL?

John the Balladeer book cover
Lee Brown Coye cover art for this edition published by Arkham House Press in 1963
Lee Brown Coye cover art for this edition published by Arkham House Press in 1963

Mike Mignola’s and Richard Corben’s comic book tale HELLBOY: THE CROOKED MAN was heavily inspired by Manly Wade Wellman’s Appalachian-set Silver John pulp-fantasy-horror stories. I really enjoyed the 2024 movie adaptation – it’s well worth seeking out!

HELLBOY: THE CROOKED MAN (2024)
HELLBOY: THE CROOKED MAN (2024)

Imaginator Magazine’s FOLK HORROR SPECIAL EDITION!

Imaginator magazine’s FOLK HORROR SPECIAL EDITION will be available everywhere (UK, US, Europe, Japan, etc) from mid-April, via Amazon and other fine retailers!

If you live in the UK or the EU, you can preorder the issue from the Imaginator store – and the first 30 copies ordered will come with TWO A5 LIMITED EDITION PRINTS, numbered and signed by Imaginator’s cover artist, Zilla Man!

You can find the links HERE!

All about the FOLK HORROR SPECIAL EDITION…

Every film featured in Severin Films’ awesome boxset ALL THE HAUNTS BE OURS: A COMPENDIUM OF FOLK HORROR VOLUME 2 is reviewed! Plus other fine folk horror flicks are reviewed too!

There’s an interview with director KIER-LA JANISSE, who talks about her definitive, all-encompassing feature-length documentary WOODLANDS DARK AND DAYS BEWITCHED: A HISTORY OF FOLK HORROR!

Author Adam Nevill speaks about his top-notch, scrumptiously sinister folk horror novels, which include THE RITUAL, THE REDDENING, NO ONE GETS OUT ALIVE and CUNNING FOLK!

Writer, director and producer Sean Hogan chats about his menacing, brooding, brilliant film TO FIRE YOU COME AT LAST.

Creature Designer, Concept Artist and Illustrator Guy Davis divulges how the fantastic Wendigo folk-creature from ANTLERS (2021) was conceived!

Actor Russell Shaw, who plays the demon-hunting, bewhiskered, time-travelling protagonist in WITCH (2024), talks about making this wild, genre-twisting occult-themed movie!

A conversation with the super-talented Concept Artist and Creature Designer Keith Thompson: the man who conceptualised the spectacular Jötunn god-monster in THE RITUAL (2017)!

A look at the upcoming Folk Horror graphic novel A VVITCH: many of artist/writer Russell Fox’s awesome illustrations are displayed within these pages for your viewing pleasure!

A deep dive into the adaptations and homages inspired by M.R. James’s classic ghost story OH, WHISTLE, AND I’LL COME TO YOU, MY LAD.

Horror fiction writer, editor and critic Ramsey Campbell provides a special guest film review, and top scriptwriting guru and author William Martell also shares a special guest film review with us!

And there’s much more inside this issue!

BEAUTY AND THE BEAST (1978)
BEAUTY AND THE BEAST (1978)
A giant, ugly bird attacks in WHO FEARS THE DEVIL (1972)
A giant, ugly bird attacks in WHO FEARS THE DEVIL (1972)

Graveyard Shark (2024)

Stephanie Ward plays Abby the cryptid hunter
Stephanie Ward plays Abby the cryptid hunter

Starring Stephanie Ward, Michael John Gilbert, Berndele March, Ryan Santiago, Madisen Zabawa, Olivia Walton and Olga N. Bogdanova. Written and directed by Matthew A. Peters. Produced by Joe Cappelli, Avery Guerra, Ainslee Looman, Anthony Clark Pierce, Brandon Wheeler, Sifundo Nene and Brandon Wheeler.
Mad Angel Films 

poster

A toothy humanoid creature known as the Graveyard Shark is said to be responsible for the disappearances of various people in the backwater town of Willsboro Point. Abby Wescott (Ward), a wannabe cryptid hunter, is called in to uncover the bloody truth behind these events. Accompanied by her assistant Greg (Gilbert), Abby eventually teams-up with local oddball Captain Seyburn (March) and members of a Graveyard Shark survivors counselling group. Even though the local shades-wearing sheriff (Santiago) says that the Graveyard Shark is just some local folklore nonsense, the critter proves to be all too real when it bloodily attacks a busty, tattooed female deputy whilst she’s enjoying a sex session with her colleague near the latest crime scene! Abby and her allies finally face-off against the creature (one of the counselling group women actually gets it on with the brute!), and the identity of the person who has been secretly helping the blue-skinned beast is revealed…  

Graveyard Shark stalks through the foliage
Graveyard Shark stalks through the foliage
One of the characters strokes Graveyard Shark's abs...
One of the characters strokes Graveyard Shark’s abs…

GRAVEYARD SHARK is a movie that most definitely doesn’t take itself seriously. The folks behind this knew (I hope) what their limitations were, so they proceeded to deliver a film full of dumb humour, copious amounts of spraying blood, stupid dialogue, boobs and a big beast.

The hammer-headed mutant rips out a human heart!
The hammer-headed mutant rips out a human heart!

The film’s lighting and cinematography is on par with the general acting quality, which is to say that it’s all strictly amateur hour level. And yet… the filmmakers are obviously having fun, and this adds to the viewing experience. So, when we get the creature’s origin story, we can be sure that it will be a really stupid, stupid, stupid (but fun) origin story! You see, this muscled monster is the result of a union between eccentric loner Captain Seyburn… and a mermaid of colour that Seyburn encountered in a swamp! The whole backstory is explained to Abby as she sits with Seyburn in a diner. Seyburn describes, with the help of flashbacks, how he met a ‘fine-ass mermaid’ and they had comical intercourse which seemed to consist of Seyburn just grinding his groin against the underside of the mermaid’s tail. As Seyburn climaxes in his flashback, the film cuts to a shot of him in the diner, pouring melted butter all over a cooked lobster. Subtle this ain’t! 

Captain Seyburn (Berndele March) talks with Abby...
Captain Seyburn (Berndele March) talks with Abby…
...and he divulges what happened when he met a mermaid in a swamp
…and he divulges what happened when he met a mermaid in a swamp

Abby learns from Captain Seyburn that the mermaid had returned with a love child, asking him for money to raise their lil’ shark-headed nipper, but Seyburn killed the siren with a shovel instead, burying her and the baby in the cemetery. But, somehow, the tiny mutant shark had clung to life and now it dwells in the graveyard…

Don't trust this dude
Don’t trust this dude

This film really is a dumbass nonsense-fest, with such silly scenes as a dream sequence in which Abby gets high and romps in bed with a bigfoot, who is actually Greg in a costume. But I felt compelled to keep watching anyway, in large part because the movie’s titular monster is brought to the screen via the old school method of using a monster suit!

Graveyard Shark claims a victim!
Graveyard Shark claims a victim!

The Graveyard Shark creature has a buff, musclebound humanoid body that is topped with a toothy hammerhead shark face! I’m just a sucker for practical effects creatures, even when it is a cartoony, cheesy-but-cool costume like this one! This hammer-headed fishy freak, designed by Anthony Clark Pierce, is far preferable to the sub-par CGI effects seen in most low-price b-movies of a similar budget, that’s for sure.

This monster looks like he's been down the gym!
This monster looks like he’s been down the gym!

Many of the monster attacks are shot in a very similar fashion, with the suitmation actor (Brandon Wheeler) shoving the costume’s shark head against the current victim’s neck, as blood is pumped everywhere. Though the results are samey, they are bloody, and there’s the occasional disembowelment of a victim added to the mix too.

A cop gets ripped up!
A cop gets ripped up!
Counsellor Dr. Jan Lovnik (Olga N. Bogdanova) is disemboweled!
Counsellor Dr. Jan Lovnik (Olga N. Bogdanova) is disemboweled!

GRAVEYARD SHARK is, without a doubt, a shoddy, cheapo production, which leaps at any chance to include some nekkid flesh and includes a lot of crass ‘humorous’ chat about going down on mermaids. But the film does end with a fight between the rubbery Graveyard Shark and a fuzzy werewolf! Yes, you read that correctly: it turns out that Greg is actually a man-wolf! This monster suit showdown is slapdash and, of course, pretty enjoyable, with the werewolf costume’s yellow-green eyes glowing so brightly they sometimes look like twin torch beams shining in the mist! So I kinda liked this flick anyway – sue me!

Above: some shots from the film!
Above: some shots from the film!

The Pale Door (2020)

Zachary Knighton is pretty good in the role of gang boss Duncan
Zachary Knighton is pretty good in the role of gang boss Duncan

Starring Zachary Knighton, Devin Druid, Stan Shaw, Bill Sage, Melora Walters, Noah Segan, Pat Healy, Tina Parker, Natasha Bassett, Darryl Cox and Jennifer Rader. Written by Cameron Burns, Aaron B. Koontz and Keith Lansdale. Directed by Aaron B. Koontz, produced by Cameron Burns, Roman Dent and James Norrie.
Paper Street Pictures/Storyteller Media/BondIt Media Capital/Title Media.

'It was the perfect score, but hell was their reward'
‘It was the perfect score, but hell was their reward’

After a member of his gang dies during a gun duel, Duncan (Knighton) begrudgingly allows his nice guy brother Jake (Druid) to make up the numbers for an upcoming train robbery. The outlaws (rather ruthlessly) kill all the Pinkertons guarding a locked chest in one of the carriages… but there’s no cash or gold inside it, instead there’s a young woman called Pearl (Bassett). This girl explains that she was abducted, and she tells the gang there’ll be a big reward if they take her back home, to a place called Potemkin. The outlaws decide this is the only way they can make any money now, so they head for this out of the way township. But they need to hurry, as their leader Duncan has been badly wounded and he’s in urgent need of medical attention. Once they do reach Potemkin, the place seems to be deserted at first, but Pearl leads the outlaws to a brothel, which is packed with friendly prostitutes. But these working ladies are not what they seem to be…

Natasha Bassett plays Pearl
Natasha Bassett plays Pearl
The brothel's madam, Maria (Melora Walters), is Pearl's mother
The brothel’s madam, Maria (Melora Walters), is Pearl’s mother

THE PALE DOOR really struggles at the beginning to properly paint a convincing picture of the time and place the story is meant to be set in. There’s a one-on-one gunfight scene, for instance, that in no way looks like it’s happening back in the late 1800s. It actually resembles something you’d see at a wild west historical re-enactment event. It just ain’t very convincing, pardner. I’m assuming that cash was really tight during the filming of these earlier sequences, but the filmmakers must’ve gotten themselves a little more money later on, as the movie does improve if you stick with it.  

This is a nice shot
This is a nice shot

And the point at which the enjoyment levels of this film ratchet upwards occurs when the secret of Potemkin (which is kind of like a horror film version of Brigadoon) is finally revealed: all the feminine denizens of the brothel are, in actuality, ancient witches! And they’re not just your normal, average witches – these are blackened-skinned, crone-faced, scampering hags. They’re great! These hook-nosed, pointy-chinned occult harridans can defy gravity as they scuttle upside down on the ceiling, they frequently zip about in an animalistic fashion on all fours, and bullets don’t seem to keep ’em dead for long!

Witches on the loose!
Witches on the loose!
Hey, dude, there's an undead hag on the ceiling behind you!
Hey, dude, there’s an undead hag on the ceiling behind you!

With better direction from Aaron B. Koontz, and an injection of additional funding, THE PALE DOOR might have had a chance of becoming a much more memorable horror-action-western. Maybe my expectations had been set higher than they should’ve been because I’d spotted Joe R. Lansdale (BUBBA HO-TEP, COLD IN JULY) credited as one of the film’s executive producers, though perhaps he was involved in view of the fact his son Keith is one of the writers. As it is, the quality of the acting varies a lot (Devin Druid has a cool-sounding name, but his thespian skills ain’t so hot), and better lighting in some of the scenes definitely would’ve helped matters. But, hey, the film (which was partly shot in Rollins Creek Old West Town, located outside of Guthrie, Oklahoma) does manage to gradually become better and better as it progresses, thanks to a satisfying score from Alex Cuervo, the inclusion of folk horror-style costumes that mix long cloaks with a variety of horned animal skulls, and a novel death scene involving a crow emerging beak-first from a victim’s bloody mouth.

Above: a couple of shots of the witches kitted out in their folk horror-style gear
Above: a couple of shots of the witches kitted out in their folk horror-style gear

There’s a topsy-turvy sequence in a church, which involves one of the outlaws being mysteriously compelled to mutilate himself, a fleeting deluge of blood, plus several Puritan-era flashbacks, and two burning-at-the-stake scenes (which are obligatory for witch-themed flicks, right?)   

The cool, off-kilter church scene
The cool, off-kilter church scene
A witch-burning flashback
A witch-burning flashback
Disemboweled in the bordello!
Disemboweled in the bordello!

The way in which the gang members brutally murder the Pinkerton detectives during the locomotive robbery (including some spurs-in-the-mouth violence) hardly makes these people an appealing bunch to root for (only Jake is not a die-hard killer), but attempts are made to garner sympathy for the outlaws once they come under threat in Potemkin, and some of the heartfelt melodrama between brothers Duncan and Jake featured in the film’s later stages is not totally without merit, aided as it is by Cuervo’s music. But, let’s be honest, it’s definitely the confrontations with the swarms of grimy, raggedy, semi-undressed, burnt-bodied witches that are the standout portions of this production, including one shot where a witch lurches out of a puddle of blood during a downpour. The outlaws-vs-witches-in-a-brothel set piece is without doubt the movie’s best sequence, so lets spare a moment to acknowledge the contributions made by Krista Perry, Shannon Beshears and Jennifer Rader: they were the film’s ‘Stunt witches’!

Above: two shots of the wicked witches
Above: two shots of the wicked witches

Let’s finish with another look at one of the skull-faced costumes worn by the witches…

Niiiiiiiiice...
Niiiiiiiiice…

Water Monster 2 (2021)

The aquatic being known as Lord Water Monkey
The aquatic being known as Lord Water Monkey

Starring Wang Zhener, Han Dong, Liu Lincheng and Wang Jianguo. Written by Chien Shih-Keng. Directed by Xiang Qiuliang and Xiang Hesheng. Produced by Guo Runze, Jing Wu and Xiang Weibin.
Beijing Tmeng Network Technology Co/Hainan Golden Seagull Media

Cool poster
Cool poster

A forensic doctor, Du (Zhener), ventures to a misty, boggy settlement called Shangshui Town to look for her missing brother. The townsfolk are not too willing to help her, however, because they are in thrall to a superstition involving an aquatic monster they call Lord Water Monkey, whom they fear might punish them if they get involved. Du digs deeper into the local mysteries, people continue to get killed, she finds her brother’s body, and plans are made to trap the swamp-beast, but things are not as they seem…

Wang Zhener plays the gun-toting doctor Du
Wang Zhener plays the gun-toting doctor Du
A villager wearing a ceremonial mask
A villager wearing a ceremonial mask

This sequel to WATER MONSTER (2019), made by the same two directors, tells a different story with different characters, and is a pleasingly shot and art directed production, using the waterlogged, mist enshrouded locations effectively.

Another poster
Another poster

Central to the enjoyment of WATER MONSTER 2 is Wang Zhener’s performance as the outsider who, after black and white flashbacks, dreams, and meetings with various characters, learns that her name is actually Qingling and she originally lived in this town as a girl, involved in a tragic backstory inextricably linked to the origins of Lord Water Monkey. Zhener has a well maintained composure about her, playing Qingling/Du as a calm, smart and driven character. She really stands out, especially in a sub-genre (modern Chinese creature features) where many female leads teeter on being pretty, tough and rather one-dimensional. This film might feature a slimy, leaping marsh monster, but it is obvious that Zhener is totally committed to her role and really shines in every scene.

Wang Zhener is good as the forensic doctor
Wang Zhener is good as the forensic doctor
At one point the locals want to use Du as a human sacrifice
At one point the locals want to use Du as a human sacrifice

The town people’s ceremonies, aimed at appeasing the water monster, which they regard as a deity, imbue the film with a folk horror atmosphere, while a fast-paced sequence showing the eventual capture of Lord Water Monkey injects some vital energy into the tale. This set piece is full of invention, as Qingling and a group of locals use a series of elaborate boobytraps and other rope & wooden mechanisms to attack the Gollum-esque creature, keep the heroine out of harm’s way, and then trap the man-beast.

Above: two shots showing the local folks taking part in their Lord Water Monkey ceremony
Above: three shots showing the local folks taking part in their Lord Water Monkey ceremony

The story now takes an interesting turn, as Qingling uncovers information revealing that the town elders are corrupt, lying opium-smuggling gangsters: they are the real culprits behind the ongoing spate of child disappearances and murders! The slimy-skinned, hunched, ridge-backed water ‘monster’ turns out to be Qinghe, the biological brother of Qingling, a sibling she’d lost all memories of. Qinghe’s grotesque form is, it’s explained, due to a rare hereditary disease, and his feral nature was triggered by the vile actions of the elders many years ago. After these revelations, Qingling finally gets to fight back against the bad guys and really looks striking as she goes into action, keeping commendably cool, wearing her traditional cheongsam dress and toting a rifle that she’s ready and willing to use!

Above: two pics showing the poor deformed, slimy Qinghe
Above: two pics showing the deformed, slimy Qinghe

The titular aquatic monster is often CGI in the fast-moving action shots, but he looks much better when a practical creature suit is used, especially during the finale, where we can see Qinghe in more detail. Here the heavily deformed Qinghe is treated in an empathetic manner, as he overcomes his urges to harm his sister, then dies saving child slave opium workers from drowning. It’s actually quite a touching finale!

Above: four more shots of Qinghe, formerly known as Lord Water Monkey
Above: four more shots of Qinghe, formerly known as Lord Water Monkey

WATER MONSTER 2 is well-handled, well-paced and is, all in all, an entertaining murder-mystery-creature-feature-drama.

Poor Qinghe…