Tag Archives: awesome

The Land That Time Forgot (1974)

Okay, now THIS is what you call a movie poster!
Okay, now THIS is what you call a movie poster!
Battlin' water beasts
Battlin’ water beasts

Directed by Kevin Connor, produced by John Dark, Max Rosenberg and Milton Subotsky, starring Doug McClure, John McEnery, Susan Penhaligon, Keith Barron, Anthony Ainley, Godfrey James, Declan Mulholland and Bobby Parr. Made by Amicus Productions.

Watch out for the Tylosaurus!
Watch out for the Tylosaurus! This is one of my favourite creatures in the movie
Nom, nom, nom...
Nom, nom, nom…

In World War I the survivors of a torpedoed ship manage to take control of the German U-boat that sank their vessel. After finding themselves stranded on the prehistoric continent of Caprona, the two opposing groups form an uneasy alliance to survive in this dinosaur-filled land.

Checking out the lost world...
Checking out the lost world…
A brief battle between a Ceratosaurus and a Triceratops
A brief battle between a Ceratosaurus and a Triceratops…
...and the Triceratops (guarding its eggs) wins!
…and the Triceratops (guarding its eggs) wins!

Okay, let’s get the dinosaurs and other prehistoric reptiles out of the way first: yes, they’re obviously not as good as stop-motion Harryhausen-style beasties, but Roger Dicken’s rod puppet creations are preferable to real-lizards-with-frills or men-in-dino-suits. They at least resemble dinosaurs and are pretty nice to look at.

A toothy Allosaurus or two
A toothy Allosaurus or two
Styracosaurus
Styracosaurus

I was lucky enough to see a couple of these dinosaur puppets when Roger Dicken attended a film festival I co-hosted at London’s legendary Scala Cinema in the early 90s. These lovingly-detailed movie monster models looked really impressive up-close!

Watch out!
Watch out!

The scenes of the puppet critters are augmented with shots of full-scale models, including a plesiosaur (its head and neck) and a pterosaur that glides away with a friendly caveman!

Low-flying pterosaur!
Low-flying pterosaur!
The full-scale Plesiosaurus prop
The full-scale Plesiosaurus prop
The life-size Tylosaurus model head in action
A life-size Tylosaurus model head in action

I think the movie’s script, written by Michael Moorcock & James Cawthorn, based on Edgar Rice Burroughs’ novel, is intriguing: the various creatures (including primitive types of human and even bacteria) living in Caprona are continually evolving as they move northwards in this lost world. In the novel (and its sequels) Burroughs included prehistoric mammals like Mammoths (showing them being preyed upon by carnivorous dinos, etc) to illustrate how creatures from different time periods all dwell on the same subcontinent. The movie, maybe due to budgetary reasons, doesn’t include any mammalian beasties, but it does feature tribes of early humans at different stages of sophistication, to visually highlight the concept of evolution advancing as individuals migrate towards Caprona’s northern regions.

A more advanced tribe of early humans
A more advanced tribe of early humans

Loads of fights with cavemen, shootouts with dinos, some neat Derek Meddings model submarine work, a volcanic eruption, decent acting and a pretty downbeat finale keep this flick interesting.

An aquatic reptile roars as the volcanic eruption starts to heat-up the river water
An aquatic reptile roars as the volcanic eruption starts to heat-up the river water

And, of course, the film stars Doug frickin’ McClure, who would go on to fight more monsters in the movies AT THE EARTH’S CORE (1976), THE PEOPLE THAT TIME FORGOT (1977) and WARLORDS OF ATLANTIS (1978), which were all directed by Kevin Connor, and then Doug took on more monsters in HUMANOIDS FROM THE DEEP (1980). What a dude!

Shoot that Plesiosaurus in the face, Doug!
Shoot that Plesiosaurus in the face, Doug!
You can't win a race with a swooping pterosaur, Doug!
Doug, you can’t win a race with a swooping pterosaur!

Let’s check out some posters for the movie…

Japanese poster
Japanese poster
UK quad poster
UK quad poster
US poster. It's interesting that the American poster includes a laser beam-firing manta ray, a giant octopus and a cool-looking sub with windows!
US poster. It’s interesting that the American poster includes a laser beam-firing manta ray, a giant octopus, a diving bell and a cool-looking sub with windows (none of which feature in the movie)!
Romanian poster
Romanian poster
Italian poster
Italian poster
Thai poster
Thai poster: look at Doug’s dark, lustrous hair!
Spanish poster
Spanish poster

Finally, here’s the cover of the film tie-in rerelease of Edgar Rice Burroughs’ novel, featuring the likenesses of Doug McClure and Susan Penhaligon.
Doug is shown punching a caveman in the face!

I own this novel still!
I still own this version of the novel!

Zu: Warriors from the Magic Mountain (1983)

This movie is a frenetic, non-stop action-fest!
This movie is a frenetic, non-stop action-fest!

Starring Yuen Biao, Adam Cheng, Meng Hoi, Sammo Hung, Moon Lee, Brigitte Lin, and Tsui Siu-Keung. Directed by Tsui Hark, produced by Raymond Chow, with action by Corey Yuen, Meng Hoi, Yuen Biao and Fung Hark-On.


Zu!
Zu!

This fine fantasy flick, based on a 1932 book called ‘The Legend of the Swordsman of the Mountains of Shu’ by Huanzhulouzhu (the pen name of Li Shoumin), is so fast, frantic, absurdly action-gorged, fantastical and odd that it makes pretty much any film made in the west look snail-paced in comparison to it.

Yuen Biao!
Yuen Biao!
Ming wants to escape the civil war that is blighting his land
Ming wants to escape the civil war that is blighting his land

Set in a region called Zu, the film tells the tall tale of Ming (Biao), an army private, who becomes disillusioned with the civil war ravaging his land. He escapes to the Magic Mountains, which is a grim area plagued by demons and evil disciples. Meeting up with some magical warriors, Ming attempts to prevent the Blood Monster from ending the world.

A bunch of bad dudes!
A bunch of bad dudes!
The Blood Monster in its liquid form
The Blood Monster in its liquid form
Poster
Poster

By far the best portion of this movie, for me, is Ming’s initial venture into the mountainous region, a zone of misty boulders and temples, where the private encounters virgin-sacrificing cult members and demons that resemble blue-eyed Jawas with stretching bodies!

There's a blue-eyed 'Jawa'-demon behind you!
There’s a blue-eyed ‘Jawa’-demon behind you!

After teaming-up with three good monk-fighters, Ming confronts the Blood Monster, which first appears as a cascade of blood, then becomes a red sheet-covered entity. To the aid of the heroic foursome comes Long Brows (Hung): a grey-haired mystic who manages to keep the Blood Monster in check by clasping it with his magically extending eyebrows and beard! The Blood Monster protects its soul, though, by surrounding itself with the skulls of sacrificial virgins and tusks!

Long Brows, played by Sammo Hung, has got weaponised eyebrows!
Long Brows, played by Sammo Hung, has got weaponised eyebrows!

Ming and his three companions go in search of two powerful swords capable of finally destroying the Blood Monster before it grows too powerful to be restrained by Long Brows.

The Blood Monster as a red, sheet-covered entity
The Blood Monster as a red sheet-covered entity

Tsui Hark adds so many fights, mystics, flying skirmishes, animated magic effects, arguments, twisting Buddha statues and multiple scene-changes that the cumulative effect of this non-stop, energetic assault to the senses is that you feel like your head might explode!

Korean poster
Korean poster

By the time the heroes are flying through red, swirling skyscapes, armed with glowing, magic swords, you wonder if you’re hallucinating it all!
Hark maybe tries to cram just too many optical effects into the finale and the end results are often less effective than, say, the mainly practical special effects seen in A CHINESE GHOST STORY, but there’s so, so much to enjoy here, why bother to quibble? And, let’s face it, what other movie contains a fight between a man and a woman zooming about on levitating large elephant statues and a stone griffin?!

Getting ready to fight on the elephant statues...
Getting ready to fight on the elephant statues…

Note: The English dubbed version starts off in the modern day, and is edited to suit a more western market.

This flick is an energetic assault to the senses
This flick is an energetic assault to the senses
Chinese poster
Chinese poster

Frenetic, funny, bizarre, wacky, magical and mad as a box of frogs.

She's got the moves
She’s got the moves

The Peacock King (1988)

What are they looking at?!
What are they looking at?!

Starring Yuen Biao, Hiroshi Mikami, Wong Siu-Fung, Narumi Yasuda, Gloria Yip, Eddy Ko, Gordon Liu and Philip Kwok, directed by Nam Nai-Choi for Golden Harvest.

It goes without saying that various people in this flick have special powers
It goes without saying that various people in this flick have special powers
Gordon Liu!
Gordon Liu!

Two young monks, Peacock (Biao) and Lucky Fruit (Mikami), must prevent the Hell King from destroying the world. Supernatural forces are able to enter the world via four holes to Hell, and the bulk of the tale concerns the hunt for these entrances. In fact, the film’s main weakness is that too much time is given over to whizzing to Japan, Hong Kong and Tibet, fracturing what chance there is of linear plot development.

Poster
Poster

However, the movie’s fun special effects more than compensate…

Early on we see small, many-eyed crawly thingies called ‘womanising ghosts’, which resemble more interesting versions of the stop-motion models crafted for the hologram chess game in STAR WARS.

These lil’ critters run around a sidewalk, chased by a dog.

Stop-motion ‘womanising ghost’ creatures peer out from a discarded fast food burger box
Thai poster for the film
Thai poster for the film

Another animation model comes into play when Hell’s Envoy Raga, played by Wong Siu-Fung, gets injured. Raga arches her back, develops telescopic, insectoid forearms and claws, and then, best of all, causes her now reptilian, elongated face to split lengthwise into a gaping, vertical, toothy maw!

Stop-motion puppet version of the split-faced monster
Stop-motion puppet version of the split-faced monster
Animatronic model of the monster, used for close-ups
Animatronic model of the monster, used for close-ups

This very cool monster acrobatically leaps around the place as it battles the protagonists, with full-scale props and animatronics used in conjunction with the stop-motion puppet to bring this beast to the screen. This is definitely the standout sequence in the movie!

A look inside the Hell's Envoy Monster's mouth
A look inside the Hell’s Envoy Monster’s mouth
Peacock (Yuen Biao) gets pinned down by the beast!
Peacock (Yuen Biao) gets pinned down by the beast!
Poster
Poster

Other special effects moments include a dinosaur model coming to life at a prehistoric exhibition, a genie-type giant and a flaming phoenix of light.


The full size dinosaur model at an exhibition...
The full size dinosaur model at an exhibition…
...is brought to 'life' by evil magic!
…which is brought to ‘life’ by evil magic!
Roar!
Roar!

Also known as Legend of the Phoenix, this modern day Hong Kong fantasy-action flick is flawed but great fun!

Also known as LEGEND OF THE PHOENIX
Also known as LEGEND OF THE PHOENIX

Okay then, one more look at the Hell’s Envoy Monster…

The split-faced creature loses an arm, but it keeps on fighting
The split-faced creature loses an arm, but it keeps on fighting

Creatures on the Loose comic covers

Detail of the cover for issue #16. Art by Gil Kane, Joe Sinnott and John Costanza
Detail of the cover for issue #16. Art by Gil Kane, Joe Sinnott and John Costanza

Marvel’s horror/fantasy anthology comic book Tower of Shadows was not very successful, selling pretty poorly, so it was renamed Creatures on the Loose starting with issue #10 (in March 1971).

This iteration featured a seven-page King Kull sword and sorcery story by Roy Thomas and artist Bernie Wrightson and other new stories, by artists Herb Trimpe, Syd Shores and Reed Crandall, but then its contents became all-reprint until issue #16 (in March 1972). Now we got the interplanetary swashbuckler hero Gullivar Jones, Warrior of Mars and then, in March 1973, the sword and sorcery hero Thongor graced the pages of the comic.

Man-Wolf, the werewolf son of J. Jonah Jameson, took centre stage next. His lycanthropic stories ran from issue #30 to #37.

Here are just some of the Creatures on the Loose covers…

Cover art by Herb Trimpe, Marie Severin and Morrie Kuramoto
Sword versus tentacles! Cover art by Herb Trimpe, Marie Severin and Morrie Kuramoto
'Moomba is here!' Art by Jack Kirby, Dick Ayers, Marie Severin and Artie Simek
‘Moomba is here!’ Art by Jack Kirby, Dick Ayers, Marie Severin and Artie Simek
Krogarr's comin' at ya through the television! Art by Jack Kirby, Dick Ayers, Marie Severin and Artie Simek
It’s comin’ at ya through the television! Art by Jack Kirby, Dick Ayers, Marie Severin and Artie Simek
OMG! That hill is alive! Art by Gil Kane, Joe Sinnott, Marie Severin and Sam Rosen
OMG! That hill is alive! Art by Gil Kane, Joe Sinnott, Marie Severin and Sam Rosen
Introducing Gullivar Jones, warrior of Mars! I liked these stories! Gil Kane, Bill Everett and Artie Simek
Introducing Gullivar Jones, Warrior of Mars! I liked these stories! Art by Gil Kane, Bill Everett and Artie Simek
'Slaves of the Spider Swarm!' Art by Gil Kane, Vincente Alcazar and John Costanza
‘Slaves of the Spider Swarm!’ Art by Gil Kane, Vincente Alcazar and John Costanza
Art by Gil Kane and Morrie Kuramoto
Art by Gil Kane and Morrie Kuramoto
Art by the awesome Jim Steranko
Art by the awesome Jim Steranko
Sword and sorcery wonderfulness by Jim Steranko
Thongor! Sword and sorcery wonderfulness by Jim Steranko
Lizard-Hawks attack! Art by John Romita, Ernie Chan and Morrie Kuramoto
Lizard-Hawks attack! Art by John Romita, Ernie Chan and Morrie Kuramoto
'Sword vs sorcery in the land that time forgot!!!' I like the sound of that! Art by John Romita, Tony Mortellaro and Danny Crespi
‘Sword vs sorcery in the land that time forgot!!!’ I like the sound of that! Art by John Romita, Tony Mortellaro and Danny Crespi
It's Man-Wolf! Woot! Art by Gil Kane, John Romita and Gaspar Saladino
It’s Man-Wolf! Woot! Art by Gil Kane, John Romita and Gaspar Saladino
This cover is great! Art by Gil Kane
This cover is great! Art by Gil Kane
Art by Gil Kane, Klaus Janson and George Roussos
Art by Gil Kane, Klaus Janson and George Roussos
A pretty eye-catching cover! Art by George Pérez, John Romita and Tony Mortellaro
A pretty eye-catching cover! Art by George Pérez, John Romita and Tony Mortellaro
Art by Gil Kane, Tom Palmer and George Roussos
I have this issue stored away somewhere. Art by Gil Kane, Tom Palmer and George Roussos
Stupendously amazing cover art by Gil Kane, Klaus Janson and Gaspar Saladino
Stupendously amazing cover art by Gil Kane, Klaus Janson and Gaspar Saladino
'Frenzy in freefall!' Art by Gil Kane and Tom Palmer
‘Frenzy in freefall!’ Art by Gil Kane and Tom Palmer

The last issue of Creatures on the Loose (number #37) was published in September 1975.

To finish, here’s the interior splash page art from issue #18. It’s bloody awesome! Feast your eyes…

Huge, aquatic monster alert! Art by Ross Andru and Sam Grainger
Huge, aquatic monster alert! Art by Ross Andru and Sam Grainger

Gorgo (1961)

Black & white publicity shot
Black & white publicity shot

Directed by Eugène Lourié, starring Bill Travers, William (2001: A SPACE ODYSSEY) Sylvester, Vincent Winter, Christopher Rhodes, Martin (THE 3 WORLDS OF GULLIVER) Benson and Joseph (THE GORGON) O’Conor. A King Brothers production.

The towering titan approaches Piccadilly Circus in London
The towering titan approaches Piccadilly Circus in London…
...and wrecks the 'Gorgo' sign!
…and wrecks the ‘Gorgo’ signage!

Captain Joe Ryan (Travers), his First Officer buddy Sam Slade (Sylvester) and his crew discover and capture a gigantic prehistoric creature off the coast of Ireland after an underwater earthquake releases it.

Some weird, dead sea creatures are discovered before Gorgo makes its appearance
Some weird, dead sea creatures are discovered before Gorgo makes its appearance

Accompanied by an orphan called Sean (Winter), Joe and Sam take the large beast to London, where it is put on public display. But then… the critter’s even bigger mother arrives and demolishes the capital city in search of her offspring!

The captured baby Gorgo is driven through London
The captured baby Gorgo is driven through London
US three sheet poster
US three sheet poster

From the director of THE BEAST FROM 20,000 FATHOMS (1953) and BEHEMOTH THE SEA MONSTER (1959), this giant monster movie stands out for several reasons.

The British man-in-suit monster marvel!
The British man-in-suit monster marvel!

Firstly, the film really makes an effort to show the effects of the parent creature’s attack on the inhabitants of the city, with the streets jammed with fleeing crowds, many of whom are engulfed in falling masonry.

A wall topples towards panic-stricken Londoners
A wall topples towards panic-stricken Londoners
Bashing Big Ben!
Bashing Big Ben!
Trashing Tower Bridge!
Trashing Tower Bridge!

Secondly, the central idea of the story is really cool: Gorgo, the monster on show at a London circus, is only an infant… and its huge mother goes on the rampage to save the youngster!

In fact, it was such a good idea the story was ‘borrowed’ for the Japanese film GAPPA THE TRIPHIBIAN MONSTER (1967).

Young Gorgo is put on display in London...
Young Gorgo is put on display in London…
...and momma comes to get her offspring, wrecking lots of buildings!
…and mummy monster comes to get her offspring back, wrecking lots of buildings in the process!

Momma Gorgo gets to wreck such famous landmarks as Big Ben, Piccadilly Circus and Tower Bridge, plus a rollercoaster and a Royal Navy frigate.

A Royal Navy ship gets totalled!
A Royal Navy ship gets totalled!

This colourful creature feature eschews the need for a tacked-on love interest subplot, and the movie finishes with a happy ending… for the monsters! Hooray!

Check out some Gorgo-tastic posters…

Belgian poster
Belgian poster
US six sheet poster
US six sheet poster
Turkish poster
Turkish poster
Spanish one sheet poster
Spanish one sheet poster
French poster
French poster
US half sheet poster
US half sheet poster
UK quad poster
UK quad poster
US one sheet
US one sheet
French poster
French poster
Italian poster
Italian poster
US insert poster
US insert poster
Thai poster
Thai poster
Danish poster
Danish poster
Australian daybill poster
Australian daybill poster
German A1 poster
German A1 poster
Israeli one sheet poster
Israeli one sheet poster
French Grande poster
French Grande poster

Here’s an example of original poster artwork by Joseph Smith for GORGO. Joseph did another concept for the film that was actually used on all the posters, but he personally considered this design to be far superior…

19" X 24"
This illustration was 19″ X 24″

Francisco Fernández Zarza (aka Jano) created this gouache and tempera rendition of the Gorgo monster… making the critter look just like Japanese kaiju turtle-beast Gamera! It is a nicely painted poster, nonetheless…

It's Gamera! Er, I mean: it's Gorgo!
It’s Gamera! Er, I mean: it’s Gorgo!

The GORGO pressbook…

Cover
Cover
Page 2
Page 2
Page 5
Page 5

The cover for issue #11 of Famous Monsters of Filmland…

Gorgo illustration by the awesome Basil Gogos
Gorgo illustration by the awesome Basil Gogos

Some covers and interior art for the Gorgo comic book series from Charlton Comics…

'Monster against spaceship'
‘Monster against spaceship’
'The creature from beyond!'
‘The creature from beyond!’

'Venusian terror'
Getting licked by a ‘Venusian terror’
'The capture of Gorgo'
‘The capture of Gorgo’
'...Only this fantastic monster could decide the fate of humanity!'
‘…Only this fantastic monster could decide the fate of humanity!’
'The return of Gorgo'
‘The return of Gorgo’
Art by the great Steve Ditko
Art by the great Steve Ditko
Monster mom and baby drawn by the legendary Ditko
Monster mom and baby drawn by the legendary Ditko

A behind the scenes pic of the monster suit under construction…

Those dots in the neck are presumably the holes where the suit actor peered through?
Those dots in the neck are presumably the holes that the suit actor peered through?

Finally, one more look at Britain’s finest kaiju…

Roar!
Roar!

Return of the Demon (1987)

They all look surprised!
They all look surprised!

Starring Charlie Cho, Shing Fui-On, Dick Wei, Emily Chu and Wu Ma, directed by Wong Ying, produced by Charles Heung and Wong Ying.

I don't think Rick Baker worked on this werewolf makeup...
I don’t think Rick Baker worked on this werewolf makeup…

Only a person born in the ‘Hoi’ year, month and day can get the treasure hidden in the hands of a certain Buddha statue. But it’s all an evil trick to enable a superhuman, soul-sucking character known as the Monster to escape from the statue in which it is trapped.

Chinese poster
Chinese poster

Shing Fui-On’s character is big, tough and somewhat stupid, while Dick Wei plays the scabby-faced, brain-sucking villain as a real ass-kicker, in a movie that’s generally a surface-deep excuse for loosely-connected scenes involving spells, a female ghost, zombies, dog piss-drinking and fights.

Don't mess with this bad guy
Don’t mess with this bad guy

A lynching torture is treated as an opportunity for comedic acrobatics, a boulder is revealed to have a pulsing central core, broken eggs are used to age a spell-making Master (who also turns into a fun weredog), and a blue-lit cavern houses a large wheel on which zombies toil. There’s also a network of tunnels set in the rock walls of the cavern, from which the zombies shoot out if a bell is rung. These zombies have a needle in the centre of their heads: pull it out and they die.

Were-dude!
Were-dude!

RETURN OF THE DEMON is an enjoyable, though lightweight, serving of relentless Hong Kong action-horror goofiness.

Thai poster
Thai poster

The First Men in the Moon (1964)

A lovely, rocky moon vista
A lovely, rocky moonscape

Directed by Nathan (THE 7TH VOYAGE OF SINBAD) Juran, starring Edward Judd, Lionel Jeffries, Martha Hyer, Miles Malleson and an uncredited cameo by Peter Finch.

US one sheet poster
US one sheet poster

When a team of astronauts land on the moon, they discover an old Union Jack flag and a document, which states that the moon has already been claimed… for Queen Victoria!

Cavor with his Cavorite
Cavor with his Cavorite

Back on Earth, an investigation team locates the last of the original Victorian crew, a very old Arnold Bedford (Judd), who tells them the story of how he and his girlfriend Katherine (Hyer) met up with an idiosyncratic inventor called Joseph Cavor (Jeffries).
As the story unfolds, we see that Cavor has invented a gravity-defying substance called Cavorite, which allows them to fly a sphere all the way to the moon. Once there, the intrepid trio discovers a lunar civilisation composed of various types of intelligent, insect-like beings, referred to as selenites…

A stop-motion selenite looks on
A stop-motion selenite looks on

This light, comedic slice of Victorian-era science fiction, shot in Panavision, features fine performances from Lionel Jeffries and Edward Judd. I think Jeffries is especially good as Cavor, who is the standout character in a script written by Nigel (THE QUATERMASS XPERIMENT) Kneale. The story is, of course, an adaptation of the H.G. Wells novel.

Lionel Jeffries is wonderful as Cavor
Lionel Jeffries is wonderful as Cavor
Together with this film, Edward Judd was in several other sci-fi flicks that I like: THE DAY THE EARTH CAUGHT FIRE, INVASION and ISLAND OF TERROR
Together with this film, Edward Judd was in several other sci-fi flicks that I like: THE DAY THE EARTH CAUGHT FIRE, INVASION and ISLAND OF TERROR
Selenite versus human!
Selenite versus human!

The Grand Lunar and several higher-status selenites are stop-motion creations courtesy of Ray Harryhausen, while the worker selenites are children in costumes, which I think works okay as they aren’t focused on in detail.

Worker selenites (kids in costumes) dismantle the sphere
Worker selenites (kids in costumes) dismantle the sphere
A worker selenite
A worker selenite
The stop-motion Grand Lunar, leader of the selenites
The stop-motion Grand Lunar: leader of the selenites

The giant mooncalf is also created via stop-motion by Ray Harryhausen: its attack on the heroes is my favourite moment in the movie.

The giant, caterpillar-like mooncalf is ace!
The giant, caterpillar-like mooncalf is ace!
Bedford is attacked by the mooncalf!
Bedford is attacked by the mooncalf!

The movie boasts some pleasing moonscape sets, subterranean vistas, plus a clever modern day wraparound plot device, which all add to the enjoyment of the viewing experience.

One of the cool underground vistas
One of the cool underground vistas
One of Ray Harryhausen's stop-motion selenites
One of Ray Harryhausen’s stop-motion selenites
Cavor prepares to meet the Grand Lunar
Cavor prepares to meet the Grand Lunar

Some posters for the movie…

UK quad poster
UK quad poster
French poster
French poster
US one sheet poster
US one sheet poster
West German poster
West German poster
Turkish poster
Turkish poster

US insert poster
US insert poster
West German poster
West German poster
Italian poster
Italian poster
US half sheet poster
US half sheet poster

Here are some Italian Fotobustas (lobby cards)…

Fotobusta
Fotobusta
Fotobusta
Fotobusta
Fotobusta
Fotobusta
Fotobusta
Fotobusta

Cover for the Gold Key comic adaptation…

Comic book cover
Comic book cover

Some colourful art…

Illustration by Daryl Joyce
Illustration by Daryl Joyce

Okay, let’s focus on the lovely mooncalf…

In the movie the mooncalf gets zapped!
In the movie the mooncalf gets zapped!
The selenites strip the mooncalf of its flesh, leaving a skeleton
The selenites strip the mooncalf of its flesh, leaving a skeleton

The special visual effects for the film were provided by Ray Harryhausen, who worked alongside British special effects expert Les Bowie at his Slough studio to produce the complicated travelling matte sequences that combined live action footage with the miniatures. Ian Scoones, who frequently collaborated with Bowie, drew the concept artwork for the mooncalf skeleton.
Here you can see Scoones’ skeleton drawing on the top right, next to Ray’s initial concepts for the look of the mooncalf stop-motion model’s face and body…

Cool concept work
Cool concept work

Finally, here’s a publicity shot of Martha Hyer…

publicity shot
Martha also appeared in the killer bear movie NIGHT OF THE GRIZZLY

Errementari: the Blacksmith and the Devil (2017)


The demon locked up in a cage...
The demon is locked up in a cage…
...but he gets out!
…but he gets out!

This Basque-language horror-fantasy movie is directed by Paul Urkijo Alijo, written by Paul Urkijo Alijo and Asier Guerricaechebarría, and stars Kandido Uranga, Uma Bracaglia and Eneko Sagardoy.

Poster
Poster

ERREMENTARI: THE BLACKSMITH AND THE DEVIL  is a re-telling of an old fable, set in the Basque area of Spain, after the First Carlist War. We follow little orphan Usue, who ends up in the home of feared local blacksmith Patxi, who has made the demon Sartael his prisoner…

Don't let Sartael out of his cage!
Don’t let Sartael out of his cage!

This is a great-looking film, with a fine feel for the period, featuring lots of shots of muddy roads, dingy homes and dirty-faced people. The cinematography and lighting is very good.

I like the look of the film
I like the look of the film
Some soldiers
Some soldiers

The demons in the movie are really well-done: they are old-school medieval-style beings, mainly created practically, via make-up, costumes & prosthetics, with nice CGI touches (their pointy tails.)

A stout, toothy demon
A stout, toothy demon
I like the look of this demon
I like the look of this devil!

The captured demon Sartael is a wonderful, memorable character and the other demons seen later in the story, when the protagonists find themselves heading to the gates of hell, are nicely executed.

Big demon!
Huge demon!
A demon's ass with a face on it...
A demon’s ass with a face on it…

Big-eyed demon
Big-eyed demon
Pointy-nosed demon
Pointy-nosed demon

Also known simply as ERREMENTARI, this was the first full-length movie by director Paul Urkijo Alijo, and it is a top-notch Spanish horror fable worth seeking out.

Look at the faces on Sartael's knees
Look at the faces on Sartael’s knees

Finally, some artwork for the film…

poster
poster
poster

Na Cha and the Seven Devils (1973)

Starring Yu Lung, Ching Li, Tina Chin Fei, An Ping, Wei Hung and Chen Hung Lieh, directed by Tetsuya Yamanouchi for Shaw Brothers and Jih Mao Film Company.

Poster
Poster
At one point Na Cha grows multiple arms!
At one point Na Cha grows multiple arms!

After eating a sacred peach and accidentally knocking the other seven peaches down to the mortal world, young Na Cha must deal with the human-looking devils that have appeared on Earth after various animals have chowed down on the mystical fruit.

A toad eats one of the sacred peaches
A toad eats one of the sacred peaches

This seems like a kids fantasy film to begin with, but soon we’re presented with shots of groping couples making out and scenes of folks being killed by the devils, who have a penchant for turning themselves into the likenesses of loved ones.

A dragon looms up above a village...
A dragon looms up above a village…
...and the beast starts burning the place!
…and the beast starts burning down the place!

There’s a decent kaiju moment when a giant dragon burns down a village, plus a subplot involving the devils attempting to prevent a military fleet from setting sail, and an airborne skirmish between Na Cha, a devil eagle and the dragon. To even the odds in this fight with the puppet predators, Na Cha grows in size and becomes multi-armed for a while!

Na Cha throws a sword into the devil eagle's wing
Na Cha throws a sword into the devil eagle’s wing
Goat dude
Goat dude

NA CHA AND THE SEVEN DEVILS is a watchable Hong Kong-Taiwanese fantasy adventure coproduction that, just like similar mythical tales, continually introduces extra characters as the story progresses, including a snake dude, a bull dude and a goat dude, plus an immortal hero with a third eye called Yang Jian, who is aided by Celestial Dog: a canine companion wearing its own natty yellow costume!

Bull dude gets hurt
Bull dude gets hurt
You lookin' at me?
You lookin’ at me?
Another shot of the dragon
Another shot of the dragon
Na Cha, Yang Jian and Celestial Dog
Na Cha, Yang Jian and Celestial Dog

The Butterfly Murders (1979)

When butterflies attack!
When butterflies attack!

Starring Lau Siu-Ming, Wong Shu-Tong, Michelle Yim, Chan Chi Chi and Eddy Ko, directed by Tsui Hark for Seasonal Film Corporation.

Tien Fung, leader of the Ten Flags clan, investigates the mystery of killer butterfly attacks in the deserted Shum Castle, accompanied by some of his troops and lone woman warrior Green Shadow. Entering the catacombs beneath the castle, they encounter esteemed scholar Fong (Siu-Ming), Master Shum, his wife and a mute maid named Chee. The butterflies continue to kill, hidden rooms are discovered and renowned fighters known as the Thunders enter the story.

Tien Fung and Green Shadow inspect a dragon carving in Shum Castle
Tien Fung and Green Shadow inspect a dragon carving in Shum Castle
Poster
Poster
Butterflies munch on a victim's hand
Butterflies munch on a victim’s hand

Tsui Hark’s first film is an assured, thoroughly engrossing Hong Kong new wave wuxia murder mystery with creature feature elements. The empty Shum Castle itself, often shown from the outside, looming above the long grasses, adds immeasurably to the atmosphere of the film, as does the effective use of Jerry Goldsmith’s PLANET OF THE APES score. Wong Shu-Tong is steely, stoic and thoughtful as Tien Fung and Michelle Yim is playful and acrobatic as Green Shadow. 

Wong Shu-Tong is a cool dude in this movie
Wong Shu-Tong is a cool dude in this movie
Butterflies on a corpse
Butterflies on a corpse

The film offers a realistic reason for characters being able to fly about, by showing them using various line-firing gizmos, but there are still fantastical components to the story, like a fire crow bird that explodes on contact with people and the notion that butterflies can actually kill a person, though these lethal Lepidoptera assaults are actually explained away as being the result of the use of ‘butterfly-controlling medicine’.

Master Shum is assaulted by a swarm of butterflies
Master Shum is assaulted by a swarm of butterflies
Be careful... this bird can blow up!
Be careful… this bird can blow up!

The introduction of a helmeted armoured man becomes the focus of the latter stages of the movie, with the killer butterflies taking a back seat, as fights involving dart-ejecting weapons and explosive projectiles ultimately lead to a nihilistic finale.  

The mysterious armoured dude
The mysterious armoured dude
Art by Maya Edelman
Art by Maya Edelman

The secret plans and rivalries eventually revealed to be the reasons behind the events may fail to be particularly compelling, but THE BUTTERFLY MURDERS remains a very moody, intriguing, enjoyable viewing experience.

This poster is niiiiiice
This poster is niiiiiice