Tag Archives: magic

Comic Covers for Dagar the Invincible

This relatively short-lived sword and sorcery comic book about Tulgonian warrior Dagar was written by Donald F. Glut, who would go on to direct and write such films as THE EROTIC RITES OF COUNTESS DRACULA (2001), THE MUMMY’S KISS (2003) and COUNTESS DRACULA’S ORGY OF BLOOD (2004).

This Gold Key Comics series, which began publication in 1972, was drawn by Filipino artist Jesse Santos, who also co-created the comic TRAGG AND THE SKY GODS with Glut.

DAGAR THE INVINCIBLE’s main strength is the artwork. Jesse Santos produced some pulpy, colourful painted covers for the comic, as did other artists, and Santos alone supplied the interior illustrations, which boasted quite detailed ink lines and decent figure-work.

Here’s a whole bunch of covers to feast your eyes on…

Issue #1
Issue #1
Here's the original art, attributed to George Wilson, for issue #1
Here’s the original art, attributed to George Wilson, for issue #1
Issue #2
Issue #2
Issue #3
Issue #3
Issue #4 - a giant scorpion! There are loads of other monsters in this issue
Issue #4 – a giant scorpion! There are loads of other monsters in this issue
Issue #8
Issue #8
Issue #9 - this features a battle between a giant sloth and a huge snake
Issue #9 – this features a battle between a giant sloth and a huge snake
Issue #10
The original acrylic on board illustration, by George Wilson, for the cover of issue #10
The original acrylic on board illustration, by George Wilson, for the cover of issue #10
Issue #11 - in this story we are introduced to primordial blob-monster Dargomma!
Issue #11 – in this story we are introduced to primordial blob-monster Dargomma!
Issue #12
Issue #12
Issue #13 - this golem can turn into an attractive woman!
Issue #13 – this golem can turn into an attractive woman!
Issue #15 - a golden idol mutates into a bird demon!
Issue #15 – a golden idol mutates into a bird demon!
Issue #16
Issue #16
Here's Jesse Santos' original ghoul-tastic art for the cover of issue #16
Here’s Jesse Santos’ original ghoul-tastic art for the cover of issue #16
Issue #17
Issue #17 – Dagar fights a monster slug known as the Devil of the Tide!

Here’s some of Jesse Santos’ interior artwork for DAGAR…

Our fur-clad hero battles the giant scorpion from issue #4
Our fur-clad hero battles the giant scorpion from issue #4
Dagar and his companion Graylin watch a serpent overpower a Megatherium in issue #9
Dagar and his companion Graylin watch a serpent overpower a Megatherium in issue #9
Issue #15 - you need dancing girls in sword and sorcery stories, right?
Issue #15 – you need dancing girls in sword and sorcery stories, right?
An idol transforms into a condor monster in issue #15
An idol transforms into a condor monster in issue #15
Here comes the mutated slug in issue #17!
Here comes the mutated slug in issue #17!
Issue #17: man versus monstrous mollusc!
Issue #17: man versus monstrous mollusc!

Interestingly, top stop-motion animator Jim Danforth and Don F. Glut tried to get a movie version of Dagar made. Danforth produced this concept painting in an attempt to help promote the project, which unfortunately never went into production…

Dagar is carried aloft by a giant bat!
Dagar is carried aloft by a giant bat!

Okay, while we’re at it, let’s check out some of the lush and lurid covers Jesse Santos produced for the aliens-and-prehistory comic series TRAGG AND THE SKY GODS…

Issue #1
Issue #1
Issue #2 - stampede!
Issue #2 – stampede!
Issue #3
Issue #3
Issue #4
Issue #4
Issue #5
Issue #5
Issue #7 - green-haired alien zaps a Styracosaurus in the face!
Issue #7 – green-haired alien zaps a Styracosaurus in the face!
Issue #8 - how can Tragg beat an animated carnosaur skeleton?!
Issue #8 – how can Tragg beat an animated carnosaur skeleton?!

Donald F. Glut wrote all of the Tragg stories and Jesse Santos did all of the covers, but Santos only produced the interior art for the first few issues, before Dan Spiegle took over.
Anyway, here’s are a few examples of Santos’ interior illustrations for TRAGG AND THE SKY GODS…

A Pteranodon attacks in issue #1!
A Pteranodon attacks in issue #1!
In issue #2 a green-haired female alien intends to incinerate an Allosaurus' brain... but her ray gun is out of power!
In issue #2 a green-haired female alien intends to incinerate an Allosaurus’ brain… but her ray gun is out of power!
In issue #2 there's a stampede of beasts!
In issue #2 there’s a stampede of beasts!

Hey, let’s finish this feature with the glorious painting showing Dagar punching a giant gorilla right in the mouth…

Ka-thump!
Ka-thump!

Outcast (2010)

Things get ugly down on the housing estate
Things get ugly down on the housing estate

Directed by Colm McCarthy, written by Colm McCarthy and Tom K. McCarthy, starring Kate Dickie, Niall Bruton, Hanna Stanbridge, Josh Whitelaw, Therese Bradley and James Nesbitt.

Ignore this rather generic monster's-hand-in-the-foreground DVD cover design, the movie is really good
Ignore this rather generic monster’s-hand-in-the-foreground DVD cover design, the movie itself is really good
Grim vistas
Grim vistas

Mary (Dickie) is a woman who comes from an ancient, almost mythical Celtic race. She hides out with her son Fergal (Bruton) in a dingy area on the outskirts of Edinburgh, using magic to protect them from a killer called Cathal (Nesbitt), who is also using magic to hunt them down on behalf of the clan Mary ran away from. Whilst this is happening, local people start getting murdered – but is Cathal to blame for these deaths… or is it someone or something else?

Mary, played by Kate Dickie, is a very protective mother, though she definitely has her reasons for behaving this way
Mary, played by Kate Dickie, is a very protective mother, though she definitely has her reasons for behaving this way
Some sharp-nailed beast begins to kill the locals
A sharp-nailed beast begins to kill the locals

OUTCAST is a British movie that features an interesting mix of social realism (it’s set in a dour Scottish housing estate) and horror/fantasy (the characters from the undefined clan can deploy gritty magic, some of which involves using disemboweled pigeons for divination, runic tattoos, etc).

Some of the estate's residents ain't very friendly
Some of the estate’s residents ain’t very friendly
Various tattoos form part of the magic utilised in the movie
Various tattoos form part of the magic utilised in the movie

The story shows us how Mary, the grim, overprotective mother, is using her magical abilities to hide her teenage son Fergal from the people trying to track him down, whilst also revealing how Fergal starts to become tempted to step away from his isolated way of life, so that he can begin a relationship with a local girl called Petronella (Stanbridge).

Fergal becomes fed up with living a life of isolation...
Fergal becomes fed up with living a life of isolation…
..and he becomes very close with Petronella
…and he becomes very close with Petronella

Meanwhile, of course, lurking amongst the dirty, rain-soaked estate, is a murderous monster… which is finally revealed to be a novel-looking humanoid thing with pallid & veined skin, a thick upper torso, a thin waist and troll-like face. But who is it that is transforming into this creature? You’ll have to watch the film to find out!

Strange, clammy-skinned humanoid!
Strange, clammy-skinned humanoid!
This strange being has an almost troll-like visage
This weird being has an almost troll-like visage

I do think that maybe the filmmakers could have explained this down-and-dirty mythology they created a little more clearly, though it could be argued that this kind of tale benefits from the fact everything is left somewhat mysterious and open to interpretation.

'Beware the beast within'
‘Beware the beast within’

The film is well worth tracking down (but don’t use a disemboweled pigeon to help you find it, okay?)

Cathal is assaulted by the man-monster, which has pale, moist, veined skin
Cathal is assaulted by the man-monster, which has pale, moist, veined skin
The special effects for the critter are without doubt on the low budget side, but the monster makes up for it with its rather unique look
The special effects for the critter are without doubt on the low budget side, but the monster makes up for it with its rather unique look