Tag Archives: Amicus

The Land That Time Forgot (1974)

Okay, now THIS is what you call a movie poster!
Okay, now THIS is what you call a movie poster!
Battlin' water beasts
Battlin’ water beasts

Directed by Kevin Connor, produced by John Dark, Max Rosenberg and Milton Subotsky, starring Doug McClure, John McEnery, Susan Penhaligon, Keith Barron, Anthony Ainley, Godfrey James, Declan Mulholland and Bobby Parr. Made by Amicus Productions.

Watch out for the Tylosaurus!
Watch out for the Tylosaurus! This is one of my favourite creatures in the movie
Nom, nom, nom...
Nom, nom, nom…

In World War I the survivors of a torpedoed ship manage to take control of the German U-boat that sank their vessel. After finding themselves stranded on the prehistoric continent of Caprona, the two opposing groups form an uneasy alliance to survive in this dinosaur-filled land.

Checking out the lost world...
Checking out the lost world…
A brief battle between a Ceratosaurus and a Triceratops
A brief battle between a Ceratosaurus and a Triceratops…
...and the Triceratops (guarding its eggs) wins!
…and the Triceratops (guarding its eggs) wins!

Okay, let’s get the dinosaurs and other prehistoric reptiles out of the way first: yes, they’re obviously not as good as stop-motion Harryhausen-style beasties, but Roger Dicken’s rod puppet creations are preferable to real-lizards-with-frills or men-in-dino-suits. They at least resemble dinosaurs and are pretty nice to look at.

A toothy Allosaurus or two
A toothy Allosaurus or two
Styracosaurus
Styracosaurus

I was lucky enough to see a couple of these dinosaur puppets when Roger Dicken attended a film festival I co-hosted at London’s legendary Scala Cinema in the early 90s. These lovingly-detailed movie monster models looked really impressive up-close!

Watch out!
Watch out!

The scenes of the puppet critters are augmented with shots of full-scale models, including a plesiosaur (its head and neck) and a pterosaur that glides away with a friendly caveman!

Low-flying pterosaur!
Low-flying pterosaur!
The full-scale Plesiosaurus prop
The full-scale Plesiosaurus prop
The life-size Tylosaurus model head in action
A life-size Tylosaurus model head in action

I think the movie’s script, written by Michael Moorcock & James Cawthorn, based on Edgar Rice Burroughs’ novel, is intriguing: the various creatures (including primitive types of human and even bacteria) living in Caprona are continually evolving as they move northwards in this lost world. In the novel (and its sequels) Burroughs included prehistoric mammals like Mammoths (showing them being preyed upon by carnivorous dinos, etc) to illustrate how creatures from different time periods all dwell on the same subcontinent. The movie, maybe due to budgetary reasons, doesn’t include any mammalian beasties, but it does feature tribes of early humans at different stages of sophistication, to visually highlight the concept of evolution advancing as individuals migrate towards Caprona’s northern regions.

A more advanced tribe of early humans
A more advanced tribe of early humans

Loads of fights with cavemen, shootouts with dinos, some neat Derek Meddings model submarine work, a volcanic eruption, decent acting and a pretty downbeat finale keep this flick interesting.

An aquatic reptile roars as the volcanic eruption starts to heat-up the river water
An aquatic reptile roars as the volcanic eruption starts to heat-up the river water

And, of course, the film stars Doug frickin’ McClure, who would go on to fight more monsters in the movies AT THE EARTH’S CORE (1976), THE PEOPLE THAT TIME FORGOT (1977) and WARLORDS OF ATLANTIS (1978), which were all directed by Kevin Connor, and then Doug took on more monsters in HUMANOIDS FROM THE DEEP (1980). What a dude!

Shoot that Plesiosaurus in the face, Doug!
Shoot that Plesiosaurus in the face, Doug!
You can't win a race with a swooping pterosaur, Doug!
Doug, you can’t win a race with a swooping pterosaur!

Let’s check out some posters for the movie…

Japanese poster
Japanese poster
UK quad poster
UK quad poster
US poster. It's interesting that the American poster includes a laser beam-firing manta ray, a giant octopus and a cool-looking sub with windows!
US poster. It’s interesting that the American poster includes a laser beam-firing manta ray, a giant octopus, a diving bell and a cool-looking sub with windows (none of which feature in the movie)!
Romanian poster
Romanian poster
Italian poster
Italian poster
Thai poster
Thai poster: look at Doug’s dark, lustrous hair!
Spanish poster
Spanish poster

Finally, here’s the cover of the film tie-in rerelease of Edgar Rice Burroughs’ novel, featuring the likenesses of Doug McClure and Susan Penhaligon.
Doug is shown punching a caveman in the face!

I own this novel still!
I still own this version of the novel!

The Terrornauts (1967)

Could any film actually live up to the exploitative promise of this lurid poster artwork?

Three staff members of Project Star Talk (Simon Oates, Stanley Meadows & Zena Marshall) are working at a radio telescope site when they are taken to an asteroid fortress by a space ship. Also carried along for the ride is an accountant (Charles Hawtrey) and a tea lady (Patricia Hayes). The group meet a robot and must pass some tests before using the fortress’ missiles to save the Earth from an armada of alien vessels.

The asteroid fortress
The asteroid fortress
Here's the robot
Here’s the robot
Carry On movie regular Charles Hawtrey plays accountant Joshua Yellowlees 
Carry On movie regular Charles Hawtrey plays accountant Joshua Yellowlees 
Nom, nom, nom...
Nom, nom, nom…

THE TERRORNAUTS is a British science fiction film made by Amicus Productions, based on Murray Leinster’s 1960 novel The Wailing Asteroid. The screenplay was written by sci-fi author John Brunner and the film was directed by Montgomery (BATTLE BENEATH THE EARTH) Tully.

Poster
US poster
You break it, you buy it, mate
You break it, you buy it, mate

There’s no escaping the fact that THE TERRORNAUTS was definitely done on the cheap… and I do mean very cheap!

Ah, look at those super-realistic planets!
Ah, look at those super-realistic planets!
Hi-tech robot!
Hi-tech robot!

The film resembles a brightly-coloured, low budget Doctor Who episode. But if you look beyond the threadbare production values, you’ll find that THE TERRORNAUTS does have an interesting premise: a long-gone alien race has left its tech behind so that mankind can defend itself from an interstellar foe.

Another shot of the robot
Another shot of the robot

I do also like the alien critter, revealed as a hologram. If you can imagine an unrealistic man-in-suit creature costume designed by a surrealist… that is what the alien looks like!

The alien's 'face'
The surreal alien’s ‘face’
Sandy (Zena Marshall) and the alien
Sandy (Zena Marshall) and the alien
The alien's eye, which is on its torso
The alien’s eye, which is on its torso

The lurid poster (claiming we’ll be seeing ‘The virgin sacrifice to the gods of a ghastly galaxy!’) highlights a moment in the movie where the heroine is accidentally teleported to a planet and is nearly sacrificed by a bunch of green-skinned savages.
This in-your-face poster artwork promises, of course, far more than the film could ever hope to deliver.

Yikes! This is the poster's depiction of the sacrifice scene...
Yikes! This is the poster’s depiction of the sacrifice scene…
...and this is what the attempted sacrifice actually looks like in the film!
…and this is what the sacrifice scene actually looks like in the film!
Don't worry: Sandy gets saved
Don’t worry: Sandy gets saved

Here’s the pre-production concept artwork for the hologram alien, by designer Bill Constable, showing that the strange being was always intended to have an eye positioned at an odd place on its body.

This concept for the alien creature makes it resemble a surreal tree stump
This concept for the alien creature makes it resemble a surreal tree stump

And here’s another couple of shots of the alien as seen in the film, with its eye located on its waist…

Not the most realistic alien costume ever produced!
Not the most realistic alien costume ever produced!
Who are you lookin' at?
Who are you lookin’ at?

Some lobby cards…

Lobby card
Lobby card
Mexican lobby card
Mexican lobby card

Finally, here’s the UK DVD cover…

UK DVD cover
UK DVD cover

At The Earth’s Core (1976)

Detail from UK quad poster

After the success of its Edgar Rice Burroughs adaptation THE LAND THAT TIME FORGOT (1974), Amicus decided to give us another Burroughs fantasy adventure with AT THE EARTH’S CORE (1976).

Starring Doug McClure once again, AT THE EARTH’S CORE also added Peter Cushing and the ever-glamorous Caroline Munro (as a beautiful slave girl princess) to the cast list.

Peter, Caroline and Doug
Peter, Caroline and Doug

The men-in-suit beasts are pretty shoddy (compared to Roger Dicken’s rod-puppet dinosaurs in THE LAND THAT TIME FORGOT) and the score is lacklustre, but the nonstop incident and Caroline Munro make it watchable. Peter Cushing seems to be enjoying himself as the dotty professor (“You can’t mesmerise me, I’m British!”), who gets to shoot a fire-breathing toad-monster with arrows (it explodes!)

My favourite monsters in the movie are the two critters that fight over the dead slave, which look like bipedal versions of the prehistoric mammal Brontotherium (they were referred to as ‘Bos’ in the publicity at the time of the film’s release, as I remember.)

I also like the creature that attacks McClure and a tribesman that seems to be half animal (it has tentacles) and half plant (its mouth looks like a glowing Venus Flytrap).

A beaky monster and giant mushrooms!
A beaky monster and giant mushrooms!
A 'Bos' chews a victim!
A ‘Bos’ monster chews a victim!

Other monsters in this movie include a beaked, parrot-faced dinosaur-like beast, a big quadrupedal creature that Doug McClure fights in a cave arena, and telepathic pterosaurs called Mahars.

The film also features Sagoths, which are humanoid servants of the Mahars, and the Iron Mole: the drill-nosed burrowing machine that carries McClure and Cushing deep through the Earth’s crust.

Doug fights a monster!
Doug fights a monster!
A flame-breathed beast
A flame-breathing beast
Mahars: the rulers of this subterranean world
Mahars: the rulers of this subterranean world
A piggy-nosed Sagoth
A piggy-nosed Sagoth

Let’s be honest: AT THE EARTH’S CORE is never going to be considered a fantasy classic, but it’s a no-nonsense adventure romp, stretching its small budget as far as it can, filling the screen with its series of colourful sets, purple skies and ludicrous beasties.

Here are a whole bunch of posters for the film…

UK 1 sheet. Art by Tom Chantrell
UK 1 sheet. Art by Tom Chantrell
US half sheet poster
US half sheet poster
Australian daybill poster
Australian daybill poster
Italian poster
Turkish poster
Turkish poster
UK quad poster
US 1 sheet
US 1 sheet
Japanese Chirashi mini-poster - front
Japanese Chirashi mini-poster – front
Japanese Chirashi mini-poster - reverse
Japanese Chirashi mini-poster – reverse
US insert poster
US insert poster
Swedish poster
Romanian poster
Romanian poster
German poster
German poster

Here are some pages from an AT THE EARTH’S CORE pressbook…

Pressbook cover
Pressbook cover
Page 3 of pressbook
Page 3 of pressbook
Page 8 of pressbook
Page 8 of pressbook
Page 9 of pressbook
Page 9 of pressbook

Some DVD covers…

UK DVD cover
UK DVD cover
Japanese DVD cover
Japanese DVD cover
German DVD cover
German DVD cover

Lobby cards…

Lobby card
Lobby card
Lobby card
Lobby card
Lobby card
Lobby card

Home movie box art…

Super 8 colour/sound
Super 8 colour/sound

Finally, here’s a Caroline Munro publicity still for the film…

Caroline as slave girl Dia
Caroline as slave girl Dia