Starring Sallie Harmsen, Alexandre Willaume, Anneke Blok, Fred Goessens, Noor van der Velden and Markoesa Hamer. Written by Nico van den Brink and Daan Bakker. Directed by Nico van den Brink. Produced by Sabine Brian and Dennis Cornelisse. NL Film/Vrijzinnig Protestantse Radio Omroep (VPRO)
Betriek (Sallie Harmsen) and her mother become embroiled in supernatural events
Betriek (Harmsen) lives in an area close to the edge of ancient bogland. Her family has suffered from a history of tragedies, and Betriek starts to suspect that the deaths of her relatives are somehow linked to the local legend concerning a wronged servant called Feike who made a pact with the demon Moloch – or maybe the preserved female corpses recently discovered in the nearby peat deposits are part of the puzzle…
One of the cadavers found in the bog
This Dutch movie uses its often foggy and gloomy swampy locations effectively, and employs the archeological dig aspects of the plotline to inject extra mystery into the story.
Another one of the bog bodies
Matters become more intriguing once various normal people are somehow compelled to become would-be killers, attacking Betriek and her mother in trance-like states.
Betriek’s mother is attacked by a possessed person
Creepy!
With mask-wearing cultists lurking about, and the spirits of murdered women emerging from the misty peat bog, the answer to the movie’s central enigma is finally revealed, and – even though it doesn’t properly explain the behaviours of the possessed would-be assassins or clarify if there is a causal link between the supernatural plot elements and the local pagan folks – the finale does give viewers a suitably striking set piece ending to remember.
Above: three shots from the film
The acting is fine, the cinematography is good, the local cultists in their bull masks look cool, and the slit-throated sacrificial bog bodies provide the movie with some memorable imagery.
Above: two shots showing the atmospheric photography of the house in the film
You know, the more I think about it, the more I come to believe that any film featuring bog bodies is worth a watch!
Starring Gayathri Shanker, Bala Saravanan, Dev Ramnath and Preethi Nedumaran. Written and directed by B. Ramachandran. Produced by Gokul Benoy and Shaik Mujeeb. Verus Productions & Veyilon Entertainment.
Run away!
A guide (Bala Saravanan) warns a group of trekkers not to venture into an area of the Kolli Hills forest that is shunned by the local villagers because it is associated with the spirit of a witch called Pechi, but the tourists ignore his advice…
The trekkers really shouldn’t go past this gate…
This Indian film boasts attractively-shot footage of various forest landscapes, and it features such folk horror trappings as hanging effigies, a straw voodoo doll, and arcane symbols that fill a derelict woodland building.
Folk horror decorations
Pechi herself is a short, wizened, wild-haired witch-hag who lurks about amongst the trees, gripping a club-like wooden staff, regularly turning herself into doppelgängers of the various characters stupid enough to trespass into her domain.
Pechi the undead witch!
Above: two shots of Pechi as seen in an extended flashback
This production is a lightweight, rather gore-free Tamil-language film that remains watchable throughout, despite the fact it includes rather too many scenes of characters wandering off into the forest alone.
There are lots of shots of people peering around tree trunks
The movie has a fairly elaborate backstory for the witch (who is taking the lives of her victims to extend her own lifespan), ends with a final revelation that is a bit rushed and not particularly convincing, and features a weird, bandaged-up, black-haired, fanged wooden doll in several scenes. Actually, this doll is a memorable prop that I think should’ve been used more in the film.
Above: two shots of the weird wooden doll (that was used as the receptacle to house the spirit of Pechi)
Okay, let’s have one final look at Pechi the undead witch hag…
A character thinks he has his arm around an injured friend… but it’s actually Pechi!
This supernatural dude can turn into a cell-animated panther
Starring Chow Yun-Fat, Emily Chu, Yammie Lam Kit-Ying and Dick Wei. Directed by Ching Siu-Tung, with action choreography by Ching Siu-Tung and Alan Hsu.
Korean poster
Whilst in Nepal, Joe (Yun-Fat) meets a mysterious girl who follows him back to Hong Kong. He discovers that he now has supernatural powers and, after the death of the attractive witch, has to combat an evil warrior (Wei) who wants the glowing pendant that Joe wears around his neck.
So passionate!
Featuring the blue-lit photography, slow motion and romantic atmosphere found in the best Hong Kong fantasies, this film, also known as The Nepal Affair and A Touch of Love, is for much of its running time simply a tale of a ménage à trois spiced up with some telekinesis and other minor feats of magic. But the film shifts gears towards the end as Joe, his girlfriend and some children are trapped in a graveyard by zombies who’ve just crawled out of the mud. A section of railings then bends towards a car and flies into the side of the vehicle like a series of iron spears!
Be careful in this graveyard!
Joe and the bad dude, who growls like a panther, have a final fight, which sees them knocking each other through buildings, culminating with the villain getting speared on a ceremonial dagger, causing his teeth and eyes to plop out and his skin to fly off his skull!
Thai poster
Chow gets angry
A decent modern-day Hong Kong whimsy, it is a shame that the evil character’s ability to transform into a cell-animated panther, shown at the very start of the film, isn’t reintroduced during the latter stages of the tale – and the scene where Joe makes sparking electricity cables draw two hearts in the night sky for his love is far, far too twee!
A group of friends, with names like Big Bee, Rubbish and Biggie, perform a ritual to enable them to see ghosts. This is meant to be a fun game to pass the time, though it does involve drinking from a bowl of water mixed with fresh blood and using a tealight to burn ‘oil’ taken from a dead person’s body!
Pale face, dark mouth…
Ming is the only member of the group to refuse to take part (saying that the blood might have AIDS), but his girlfriend Annie joins in the odd game, which does unleash a creepy female ghost, who starts to kill off the friends one by one.
If only the movie was as eventful as this artwork suggests!
Rubbish is the first to die and Ming’s reporter sister Cissy starts to look into the case, along with her fiancé Jack. Cissy’s ex-boyfriend Mr. Mo, a drama teacher, also takes an interest in what is going on and he’s the one who comes up with most of the theories, including the idea that the group is being haunted by the ghost of the person whose ‘oil’ had been burned in the ritual.
The blue-robed ghost closely follows a female character into a bar toilet
Characters continue to die, with one of them tricked into stepping off the top of a high building and Biggie compelled to strangle her own mother before committing suicide. Ming becomes more and more concerned that Annie will soon become a victim too, so he teams-up with Mr. Mo to break the curse and discover the origin of the ghost. Their research leads them to the deserted Yellow Hill Village and they eventually learn that the black-haired, vengeful ghost is the spirit of a murdered woman called Cho Yan Mei.
As well as the blue-robed ghost of Cho Yan Mei, the spectres of other dead people are seen…
More deaths ensue, including an old man who gets bumped off when a long metal pole falls from a roof and skewers him to the ground via his gaping mouth, in an OMEN-style moment. Mr. Mo, meanwhile, realises that it isn’t the ‘oil’ that connects all these victims to the spirit, so the search for a way to halt the killings continues, but time is running out for Annie and a desperate Ming intensifies his efforts to find the resting place of Cho Yan Mei’s body.
Don’t look up, old fella…
…or you’ll get transfixed by a scaffolding tube. Too late!
A WICKED GHOST is a pretty run-of-the-mill Hong Kong supernatural flick, directed in a competent fashion by Hung-Wah Leung. Leung also wrote the script and he does a better job here, supplying enough backstory to the curse and nuggets of new information to keep you watching.
DVD sleeve
One of these revelations involves Mr. Mo’s supposition that Cho Yan Mei’s murdered body is actually buried beneath a pond near Yellow Hill Village, which is linked to the local water supply somehow. Ming then realises that the angry ghost-force of Cho Yan Mei must have entered the various victims’ bodies “through the medium of water”.
Cho Yan Mei gets up close and personal
Though Mr. Mo (Francis Ng) is the character who uncovers most of the facts, it is Ming (Gabriel Harrison) who is the film’s main character, but he proves to be such a frustratingly hesitant protagonist! In one sequence Annie, possessed by Cho Yan Mei, fills a bowl with prescription drugs and starts wolfing the tablets down like they’re sweets. Rather than physically trying to stop his girlfriend from munching all the pills, Ming just ineffectually looks on, asking her to wake up and stop eating the drugs. In a later scene the ever-hesitant Ming is in a position to actually stop the murders when he discovers a special bracelet that is capable of negating Cho Yan Mei’s powers… but he is so slow to take action, reaching out to Cho Yan Mei’s wrist in such a tentative manner, that she has time to evade the bracelet and attack him. It’s very frustrating!
Annie grabs a handful of pills Don’t just plead with your girlfriend to stop eating the pills, Ming, go and grab her!Ming gets strangled by Cho Yan Mei because he’s too damn slow trying to put the special bracelet on her wrist
The inspiration for the look of the malevolent spook in A WICKED GHOST is Sadako from RING, which was released the previous year and triggered the production of a whole bunch of Hong Kong RING knock-offs. There’s an okay moment involving the ghost walking directly behind a female character in a bar, and there’s also a fun scene in a bathroom, where Jack sees Cho Yan Mei’s hair, and then her hand, poking from a toilet bowl.
Cho Yan Mei’s hand rises from the bowl!Cho Yan Mei is obviously heavily inspired by the ghostly character Sadako, from the successful Japanese movie Ring (1998)
Most of the ghost scenes in this low budget film are achieved using actors in pale makeup, with very few optical effects, though this is acceptable, as this kind of story works just fine with brief glimpses of long hair hiding a ghost’s face or quick shots of a dark figure passing by doorways. But Hung-Wah Leung fails to include enough supernatural encounters in his tale and the film ends up sadly lacking in decent scares and tension.
Cho Yan Mei crawls across the floor: there should have been more moments like this!There should also have been more shots like this!
With a plot that’s burdened with several extraneous characters (Cissy & Jack) and direction that’s rather lacklustre, A WICKED GHOST is, ultimately, a Hong Kong paranormal flick that is watchable but also quite forgettable.
She’s behind you…
Devoted to every kind of movie and TV monster, from King Kong to Godzilla, from the Blob to Alien. Plus monsters from other media too, including books and comics.