Tag Archives: Indian horror film

Pechi (2024)

'Fear has a new name'
‘Fear has a new name’

Starring Gayathri Shanker, Bala Saravanan, Dev Ramnath and Preethi Nedumaran. Written and directed by B. Ramachandran. Produced by Gokul Benoy and Shaik Mujeeb. Verus Productions & Veyilon Entertainment.

Run away!
Run away!

A guide (Bala Saravanan) warns a group of trekkers not to venture into an area of the Kolli Hills forest that is shunned by the local villagers because it is associated with the spirit of a witch called Pechi, but the tourists ignore his advice…

The trekkers really shouldn't pass this gate...
The trekkers really shouldn’t go past this gate…

This Indian film boasts attractively-shot footage of various forest landscapes, and it features such folk horror trappings as hanging effigies, a straw voodoo doll, and arcane symbols that fill a derelict woodland building.

Folk horror decorations
Folk horror decorations

Pechi herself is a short, wizened, wild-haired witch-hag who lurks about amongst the trees, gripping a club-like wooden staff, regularly turning herself into doppelgängers of the various characters stupid enough to trespass into her domain.

Pechi the witch!
Pechi the undead witch!
Above: two shots of Pechi as seen in an extended flashback
Above: two shots of Pechi as seen in an extended flashback

This production is a lightweight, rather gore-free Tamil-language film that remains watchable throughout, despite the fact it includes rather too many scenes of characters wandering off into the forest alone.

There are lots of shots of people peering around tree trunks
There are lots of shots of people peering around tree trunks

The movie has a fairly elaborate backstory for the witch (who is taking the lives of her victims to extend her own lifespan), ends with a final revelation that is a bit rushed and not particularly convincing, and features a weird, bandaged-up, black-haired, fanged wooden doll in several scenes. Actually, this doll is a memorable prop that I think should’ve been used more in the film.

Above: two shots of the weird wooden doll (that was used to house the spirit of Pechi)
Above: two shots of the weird wooden doll (that was used as the receptacle to house the spirit of Pechi)

Okay, let’s have one final look at Pechi the undead witch hag…

A character thinks he has his arm around an injured friend... but it's actually Pechi!
A character thinks he has his arm around an injured friend… but it’s actually Pechi!

Tumbbad (2018)

The forgotten deity called Hastar!
The forgotten deity called Hastar!

This Hindi language period-set horror film was directed by Rahi Anil Barve, with Anand Gandhi serving as the additional creative director and Adesh Prasad co-directing. It starts by telling the legend of the Goddess of Plenty and her favourite offspring Hastar. The reason that nobody has heard of Hastar, it is revealed, is due to the fact he was stricken from history.

The film won awards for Best Film and Best Visual Effects at the Screamfest International Film Festival
The film won awards for Best Film and Best Visual Effects at the Screamfest International Film Festival

Hastar, it turns out, physically exists in our world, trapped in a subterranean ‘womb room’ beneath a derelict mansion. The protagonist figures out a way to get a steady supply of gold from this deity, but there may be consequences…

A place where it always seems to rain...
A place where it always seems to rain…

This is a great-looking, well-told Indian horror tale with lots of cool ideas and visuals…

For instance, there’s a possessed, undead grandmother who has spikes jammed through her face to stop her opening her jaw wide enough to eat anyone – and many years later she is rediscovered with a tree growing out of her rotting-yet-living body!

The undead grandmother doesn’t like spikes jammed through her face!
The undead grandmother doesn’t like spikes jammed through her face!
The still-alive grandmother with a tree growing through her!
The still-alive grandmother with a tree growing through her!

The idea that an organic chamber beneath the mansion’s old well is actually the womb of the mother goddess is an intriguing concept, as is the crown-wearing, red-skinned Hastar, who is eternally hungry for flour!

Hastar is eternally hungry for flour
Hastar always has the munchies

The way Vinayak, the lead character, gets hold of Hastar’s gold is nicely done: he knows that Hastar is continually ravenous, desiring flour, so Vinayak climbs down a long rope and uses dolls made from dough to lure Hastar into the centre of the goddess’s womb. Then, while Hastar is distracted by the dough-doll, Vinayak snatches at Hastar’s loincloth containing the gold, causing coins to spill from it. Vinayak regularly repeats this procedure to maintain a constant flow of stolen coins to make his fortune. 

However, when more than one dough-doll is used at the same time, the situation becomes much more dangerous…

The red, pulpy-skinned Hastar on the move...
The red, pulpy-skinned Hastar on the move…

The cinematography is a joy, the mood is well maintained, with the film coming across as a dark cautionary horror tale.

The film is great to look at
The film is great to look at

TUMBBAD is a marvellous reminder to always be on the lookout for horror and fantasy stories from all around the world. When you do, you will increase your chances of discovering terrific treasures like this movie.

A victim trapped within the fleshy wall of the womb-room
A victim trapped within the fleshy wall of the womb-room
Whatever you do, don't feed the deity more than one dough-doll...
Whatever you do, don’t feed the deity more than one dough-doll…
poster